Tiwi Design : screen-printing textiles for fifty years / Nadine Lee and Joanna Barrkamn -- Merrepen Arts, Culture and Language Corporation : floods of crativity / Cathy Laudenbach -- Mantra Pandanas project / Bobbie Ruben.

An examination of Aboriginal screen-printed textiles in the National Gallery of Australia, Museum Victoria, the National Gallery of Victoria, and Powerhouse Museum. This work traces the history of Aboriginal textiles to being interpreted as primarily an Aboriginal art to being recognised as part of the fashion industry in Australia, and the collection of these materials by Australian museums.

The history of textiles, more than that of any other artefact, is a history of human ingenuity. From the very earliest needles of 50,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America the appeal of different weaves, colours and patterns was long a motivation for trade, the exchange of ideas and sometimes even war. Mary Schoesers groundbreaking book, now revised and updated to incorporate new research, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors and students alike.

This important exhibition celebrates the use of an introduced medium, which has encouraged a daring break with tradition in contemporary Aboriginal and Toores Strait Islander art. In focussing on painted and printed textiles and on the last three decades, Raiki Wara draws attention to the contribution of indigenous artists throughout Australia who have made this new medium their own.

Aboriginal people have always worked with textiles. In Central Australia and Top End the concept of applying images and designs to the surface of fabric is quite recent. In this book, they make their own way from Ernabella in northern South Australia to the Tiwi Islands of the Top End.

For over 20 years, Julie Paterson, founder of ClothFabric, has been designing and printing contemporary textiles by hand. Her iconic patterns, inspired by and connected to the Australian landscape, have been applied to furnishings, rugs and wallpapers and sold the world over. ClothBound is the story of Julie's most significant and well loved designs, and offers a very intimate insight into the creative process of a much loved artist, designer and maker at work in her shed.

An updated edition of this indispensable reference, surveying the history of textiles from 25,000 years ago to the present. The history of textiles, more than that of any other artifact, is a history of human ingenuity. From the very earliest needles of 25,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized, and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America—the appeal of different weaves, colors, and patterns was long a motivation for trade, the exchange of ideas, and sometimes even war. Mary Schoeser’s groundbreaking book, now revised and updated to incorporate new research with color illustrations, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society, and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors, and students alike.