West Of The Equator is a satirical account of one man's spiritual journey, as told by his spirit guide, Ian - a well seasoned West Indian merchant sailor who narrates the story of a Chicago stock trader who goes to the West Indies and buys a 75' catamaran to set out in search of Paradise. Instead, he finds a female captain who turns out to be the love of his life, chaos, mayhem, and, eventually, true happiness but only after he faces unbelievable trials and is stripped of everything he owns along the journey. In this humbled state, he discovers that he is, in fact, the island, his life the vessel, and that everything he'd every truly needed had been aboard all along. It is a very funny satirical look at life in Paradise and the Zen of sailing.

“We know Siegfried Kracauer as a brilliant Weimar essayist, a Frankfurt School fellow traveler, and a pioneering postwar film theorist. This collection of his American writings uncovers fascinating corners of his film and cultural criticism, firmly placing him in the context of the New York Intellectuals as well.”—Peter Decherney, author of Hollywood's Copyright Wars: From Edison to the Internet.

Crime writer-sleuth Francis Meadowes discovers something dark hiding under the beautiful Umbrian sun when one of his writing group is found dead in Italy. Francis Meadowes is soaking up the late summer sun in Italy, running a creative writing course at the beautiful Villa Giulia, deep in the remote Umbrian countryside. Recruited by the villa’s owners, Stephanie and Gerry, Francis’s students include snooty, irritating Poppy and her ex-ambassador husband Duncan, eccentric Northern Irishman Liam, quirky, self-styled ‘Hampstead Jewess’ Zoe, bossy Scottish Diana, kooky young American Sasha, mysterious ‘spy’ Tony and restless civil servant Roz. But what should be a magical week under the Italian sun turns into something far more sinister when one of the group is found dead, and the local police quickly turn to Francis for help. Uncovering betrayal, lies, secrets and old scores to be settled, Francis soon realizes something very dark is lurking beneath the genteel and civilized veneer . . .

Three novels in the acclaimed series starring an author whose itinerary often leads him to crime scenes . . . The Festival Murders Bryce Peabody is ready to give a talk at the annual literary festival in the pretty English town of Mold-on-Wold—until he’s found dead in his hotel room. Soon, author Francis Meadowes is drawn into a role he knows only from his own fiction—that of amateur detective . . . “A marvellous set of unsavoury suspects . . . good, nasty fun with a ring of truth.” —The Mail on Sunday, Thriller of the Week Cruising to Murder Francis has landed a job lecturing aboard a luxurious liner as it cruises down the West African coast. His fellow passengers include an eclectic mix of characters. But when two of them die, the sleuthing crime writer discovers he may be out of his depth . . . “[An] entertaining mystery.” —Publishers Weekly Murder Your Darlings Francis is soaking up the sun in Italy, running a creative writing course at a villa in the Umbrian countryside. But what should have been a magical week turns sinister when a body is found in the sauna . . . A Mail on Sunday Book of the Year “A neat twist on the classic English-country-house formula.” —Kirkus Reviews

"It's hard to be the only one." That single sentence from a teenage congregant sums up the conviction that motivated Christian Theology for a Secular Society. In these dying days of Christendom, the reality that most Western Christians face is living out their faith as a minority in the midst of a culture that is at every level--personal, institutional, and societal--secular in nature. While most living in Western societies still affirm belief in God and often other vaguely recognizable Christian beliefs, these affirmations frequently have little to do with how daily life is lived. The idea that the God best known to us in Jesus Christ is actually in charge of life is foreign. For most, Christianity simply does not form an overarching system of meaning that shapes life. Instead, life is lived largely without reference to God. And to live any other way is often "hard." In this volume, Mark McKim sets out to "do" theology in this context. How does one explain the core historic Christian doctrines in a way that makes sense in a secular culture--and in a way that will gain a hearing? What does it mean to be the church in this new situation? Throughout, McKim asks the question, so what? as he relates Christian teachings to a secular society and to what is actually happening in the local church. McKim's goal is to enable the singing of the Lord's song in the new and strange land of a secular society.