“Passions, the edge of madness, forbidden obsessions, runaway libidos and dangerous desires . . . a thinking man’s Fatal Attraction” (Chicago Sun-Times). In A Woman Run Mad, John L’Heureux delivers a novel that is part comedy of manners and part psychosexual thriller. Blocked writer, accidental scholar, inattentive husband, all J.J. Quinn wants is peace, and he has gone to buy his wife an expensive handbag to accomplish it. As the bag in question walks out the door under the arm of a beautiful, aristocratic shoplifter, though, Quinn’s curiosity leads him deep into mystery and danger. The shoplifter is Sarah Slade, a Boston Brahmin attempting to ditch a past as bloody as Medea’s. Compared to Quinn’s hypercompetent, Euripides-scholar wife, Claire, the unhinged Sarah is an alluring breath of fresh air—but, of course, Quinn has no idea of the Pandora’s box he’s opened. Acclaimed by Newsweek as “witty and literate . . . Grand Guignol for grown-ups,” A Woman Run Mad is an unsettling, deeply satisfying novel. A New York Times Notable Book and a Los Angeles Times Best Book of the Year. “A superior suspense story . . . that might well have appealed to a writer like Patricia Highsmith, a drama of interlocking obsessions.” —The New York Times “What a wonderfully hideous, gruesome, grueling horror-marathon of a book! A cross between a Henry James novel and the Texas chain saw massacre. I loved it.” —Carolyn See, author of Dreaming: Hard Luck and Good Times in America “Normality—as our time understands the word—and monstrosity are L’Heureux’s poles, and he joins them with extraordinary dexterity . . . The ending is not to be revealed.” —Los Angeles Times Book Review

"In the year 2018, it seems as if women's anger has suddenly erupted into the public conversation. But long before Pantsuit Nation, before the Women's March, and before the #MeToo movement, women's anger was not only politically catalytic--but politically problematic. The story of female fury and its cultural significance demonstrates the long history of bitter resentment that has enshrouded women's slow rise to political power in America, as well as the ways that anger is received when it comes from women as opposed to when it comes from men"--

THE NUMBER 1 SUNDAY TIMES BESTSELLER AND RICHARD & JUDY BOOK CLUB 2017 PICK A new Sunday Times bestseller from Bryony Gordon, Telegraph columnist and author of the bestselling The Wrong Knickers. For readers who enjoyed Matt Haig's Reasons to Stay Alive and Ruby Wax's Sane New World, Mad Girl is a shocking, funny, unpredictable, heart-wrenching, raw and jaw-droppingly truthful celebration of life with mental illness. 'I loved it. A brilliant fast and funny and frank look at something that absolutely needs to be talked about in this way' Matt Haig Bryony Gordon has OCD. It's the snake in her brain that has told her ever since she was a teenager that her world is about to come crashing down: that her family might die if she doesn't repeat a phrase 5 times, or that she might have murdered someone and forgotten about it. It's caused alopecia, bulimia, and drug dependency. And Bryony is sick of it. Keeping silent about her illness has given it a cachet it simply does not deserve, so here she shares her story with trademark wit and dazzling honesty. A hugely successful columnist for the Telegraph, a bestselling author, and a happily married mother of an adorable daughter, Bryony has managed to laugh and live well while simultaneously grappling with her illness. Now it's time for her to speak out. Writing with her characteristic warmth and dark humour, Bryony explores her relationship with her OCD and depression as only she can. Mad Girl is a shocking, funny, unpredictable, heart-wrenching, raw and jaw-droppingly truthful celebration of life with mental illness.

A New York Times best historical novel of the year, adapted as a major film for Amazon Prime, this feminist literary thriller is set in Paris's infamous Salpêtrière asylum—now in paperback The Salpêtrière Asylum: Paris, 1885. Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Mad Women’s Ball—when the great and good come to gawk at the patients of the Salpêtrière dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugénie, the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugénie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugénie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .

Maas offers a wickedly funny, inside look at what it was really like to be an ad woman on Madison Avenue in the 1960s and 1970s, from casual sex to professional serfdom, in this immensely entertaining and bittersweet memoir.

An NPR Best Book of the Year * A New York Times Book Review Editors' Choice * An Electric Literature Best Short Story Collection of the Year * Finalist for the Chautauqua Prize The "often hilarious and always compassionate" (New York Times Book Review) collected stories of a critically acclaimed, award-winning “American literary treasure” (Boston Globe), now in paperback-with a foreword by Elizabeth Strout. From her many well-loved novels, Hilma Wolitzer-now ninety-one years old and at the top of her game-has gained a reputation as one of our best fiction writers, who “raises ordinary people and everyday occurrences to a new height.” (Washington Post) These collected short stories-most of them originally published in magazines including Esquire and the Saturday Evening Post, in the 1960s and 1970s, along with a new story that brings her early characters into the present-are evocative of an era that still resonates deeply today. In the title story, a bystander tries to soothe a woman who seems to have cracked under the pressures of her life. And in several linked stories throughout, the relationship between the narrator and her husband unfolds in telling and often hilarious vignettes. Of their time and yet timeless, Wolitzer's stories zero in on the domestic sphere with wit, candor, grace, and an acutely observant eye. Brilliantly capturing the tensions and contradictions of daily life, Today a Woman Went Mad in the Supermarket is full of heart and insight, providing a lens into a world that was often unseen at the time, and often overlooked now-reintroducing a beloved writer to be embraced by a whole new generation of readers.

By turns poignant and hilarious--often on the same page--"Mad Dash" is a novel about the funny ways love has of catching up to people despite their most irrational efforts to leave it behind.