Few women of her time lived to see their name in print. But Katherine was no ordinary woman. She was Sir Walter Raleigh’s mother. This is her story.

A juicy, sprawling comedy of manners about a group of thirtysomethings navigating friendship, love, and their fledgling careers among Houston’s high-powered, oil-money elite Thirty-year-old Vivienne Cally is wealthy in name only. Orphaned as a child and raised by a cold but regal aunt, Vivienne was taught to rely on her beauty and Texas tradition, and is expected to marry a wealthy and respectable man who will honor the Cally name. Friends with Houston's richest and most prominent families, she's a beloved fixture at the social events big and small, and suffers no shortage of access to some of the city's most eligible bachelors. Preston Duffin has known Vivienne and her set since childhood. He's never shared their social aspirations or their status but is liked and respected for his sharp wit and intelligence. About to graduate from a prestigious architecture program, he is both fascinated and repelled by this group of friends he sits on the cusp of. He's long admired Vivienne's beauty and grace, but isn't sure he holds any place in such a traditional life. Intrigued by Preston's ambitions and the extent to which he challenges the only way of life she's ever known, Vivienne both courts Preston's attention, and rebuffs his critiques of her predictable and antiquated priorities and values. Inspired by Edith Wharton’s The House of Mirth, Yvonne Georgina Puig's A Wife of Noble Character shares the original novel’s astute social commentary at the same time that it illuminates the trappings and rewards of coming of age that are wholly unique to the twenty-first century. Charming and shrewd at once, this Texas love story takes readers from Houston to Paris and Switzerland and back again, and will speak to both fans of Wharton and anyone who has every struggled to find their way in life.

Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

Advice books are no short-lived trend. They continue to top bestseller lists even though much of the "wisdom" being offered proves shallow in the long run. People are looking for practical, proven advice for life and the book of Proverbs is the wisest place to start. Unpacking the book of Proverbs, Lydia Brownback shows how the Bible speaks to real life issues such as money, purity, marriage, and the day-to-day grind. Writing with a familiar yet knowledgeable tone, Brownback draws in the busiest of readers and asks realistic questions for personal reflection or group study. This well-conceived, twelve chapter book contains three parts: What Is Wisdom and Why Does It Matter? Six Things Wise Women Know A Portrait of Wisdom A Woman's Wisdom gives women—a way to be wise, to know the very Author of wisdom, and to understand how to apply his relevant, riches.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, MARIE CLAIRE, READER'S DIGEST, AND GOOD HOUSEKEEPING “A gripping read…Unabashedly queer, probing and unafraid…Exceedingly engaging.” –USA Today “Sublimely weird, fluently paced, brazenly funny and gayer still, and it richly deserves to find readers.” –New York Times From the author of the New York Times–bestselling sensation Mostly Dead Things: a surprising and moving story of two mothers, one difficult son, and the limitations of marriage, parenthood, and love If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife. As Samson grows from feral toddler to surly teenager, Sammie’s life begins to deteriorate into a mess of unruly behavior, and her struggle to create a picture-perfect queer family unravels. When her son’s hostility finally spills over into physical aggression, Sammie must confront her role in the mess—and the possibility that it will never be clean again. Blending the warmth and wit of Arnett’s breakout hit, Mostly Dead Things, with a candid take on queer family dynamics, With Teeth is a thought-provoking portrait of the delicate fabric of family—and the many ways it can be torn apart.

NEW YORK TIMES BESTSELLER • One million copies sold! “A deeply spiritual book [that] honors what is tough, smart and untamed in women.”—The Washington Post Book World Book club pick for Emma Watson’s Our Shared Shelf Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society’s attempt to “civilize” us into rigid roles has muffled the deep, life-giving messages of our own souls. In Women Who Run with the Wolves, Dr. Clarissa Pinkola Estés unfolds rich intercultural myths, fairy tales, folk tales, and stories, many from her own traditions, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

Meg Wolitzer'sprevious books includeSleepwalking, This Is Your Life,andSurrender, Dorothy.She lives in New York City with her husband and two sons.