“Midnight in the Garden of Good and Evil meets Camelot.”—Washington Post Book World In 1964, Mary Pinchot Meyer, the beautiful, rebellious, and intelligent ex-wife of a top CIA official, was killed on a quiet Georgetown towpath near her home. Mary Meyer was a secret mistress of President John F. Kennedy, whom she had known since private school days, and after her death, reports that she had kept a diary set off a tense search by her brother-in-law, newsman Ben Bradlee, and CIA spymaster James Jesus Angleton. But the only suspect in her murder was acquitted, and today her life and death are still a source of intense speculation, as Nina Burleigh reveals in her widely praised book, the first to examine this haunting story. Praise for A Very Private Woman “Power is so utterly fascinating. Sometimes it’s used for evil purposes, like the kind of power that has silenced the telling of Mary Pinchot Meyer’s mysterious murder for over three decades. In A Very Private Woman, Nina Burleigh has finally told this tragic tale of a privileged beauty with friends in high places.”—Dominick Dunne “A superbly crafted, evocative glimpse of an adventurous spirit whose grisly murder remains a mystery.”—San Francisco Chronicle Book Review “Proves that every Washington sex scandal is juicy in its own way.”—Glamour “Nina Burleigh has dissected Washington’s most intriguing murder mystery and produced a captivating biography, a thriller, and an insightful portrait of Georgetown in its golden presidential age.”—Christopher Ogden, bestselling author of Life of the Party: The Life of Pamela Digby Churchill Hayward Harriman “Provocative, erudite . . . pure Georgetown noir.”—New York Observer “A rich array of real-life characters.”—New York Times Book Review

An Invitation Like No Other. Sister Rivalry. A Very Private Woman. Nothing is as it seems. Private Eye Bettie English receives a visitor. She hears a top-secret job offer. Bettie knows something is afoot. Bettie needs to find the truth. If you enjoy gripping, unputdownable private eye mysteries holding you from the first to last word. You will love this book! BUY NOW!

“A breezy, tantalizing view of the woman who, through wiles and a complete lack of scruples, briefly transcended the role of presidential mistress—and may have paid for it with her life.” —The New York Times John F. Kennedy said he needed sex every three days or he got a headache. In the White House, he never had a headache. Kennedy met Mary Pinchot in 1935, when he was eighteen and she was sixteen. Twenty years later, when she was living in Virginia and married to Cord Meyer, a high-ranking CIA official, she was Jack and Jackie Kennedy’s next-door neighbor. In 1962, she was an artist, divorced, living in Washington—and Kennedy’s first serious romance. Mary Pinchot Meyer was more than a bedmate. She was Kennedy’s beacon light: his sole female adviser, spending mornings in the Oval Office, and, at night, discussing issues. After the 1964 election, Kennedy said, he would divorce Jackie and marry her. After the assassination, Mary didn’t believe Lee Harvey Oswald acted alone, and she shared that view, loudly and often, in Washington’s most elite circles. Her ex-husband urged her to be silent, but when the report of the Warren Commission was released, she was even more loudly critical. On October 10, 1964, two days before her forty-forth birthday, as she walked in Georgetown, a man shot her in the head and the heart. That night, Mary's best friend called her sister. “Mary had a diary,” she said. “Get it.” The diary was filled with sketches, notes for paintings—and ten pages about an affair with an unnamed lover. Her sister burned it. In JFK and Mary Meyer: A Love Story, Jesse Kornbluth recreates the diary Mary might have written. Working from a timeline of Kennedy’s presidency and every documented account of their public relationship, he has written a high-octane thriller that tracks this secret, doomed romance—and invites readers to solve Mary’s murder.

The locals in the southern Italian town where he lives call him Signor Farfalla--Mr. Butterfly: for he is a discreet gentleman who paints rare butterflies. His life is inconspicuous--mornings spent brushing at a canvas, afternoons idling in the cafes, and evening talks with his friend the town priest over a glass of brandy. Yet there are other sides to this gentleman's life: Clara: the young student who moonlights in the town bordello. And another woman who arrives with $100,000 and a commission, but not for a painting of butterflies. With this assignment returns the dark fear that has dogged Signor Farfalla's mysterious life. Almost instantly, he senses a deadly circle closing in on him, one which he may or may not elude. Part thriller, part character study, part drama of deceit and self-betrayal, A Very Private Gentleman shows Martin Booth at the very height of his powers

Focusing on the Western philosophical tradition and the work of contemporary feminists, Jean Elshtain explores the general tendency to assert the primacy of the public world—the political sphere dominated by men—and to denigrate the private world—the familial sphere dominated by women. She offers her own positive reconstruction of the public and the private in a feminist theory that reaffirms the importance of the family and envisions an "ethical polity."

Explores the murder of Mary Pinchot Meyer and her connected to President Kennedy Ideal book for fans of The Devil’s Chessboard by David Talbot, The Reporter Who Knew Too Much by Dorothy Kilgallen, Dr. Mary’s Monkey by Edward T. Haslam, and other JFK conspiracy books Updated edition of the true crime expose, including new evidence and government documents corroborating the conspiracy to assassinate JFK’s trusted ally and final true love The death of Mary Meyer left many Americans with questions. Who really killed her? Why did CIA counterintelligence chief James Angleton rush to find and confiscate her diary? Had she discovered the plan to assassinate her lover, President Kennedy, with the trail of information ending at the steps of the CIA? Was it only coincidence that she was killed less than three weeks after the release of the Warren Commission Report? Fans of The Murder of Mary Russell, JFK: A Vision for America, and other JFK books will love Mary’s Mosaic. Building and relying on years of interviews and painstaking research, author Peter Janney follows the key events and influences in Mary Pinchot Meyer’s life—her first meeting with Jack Kennedy; her support of her secret lover, President Kennedy, as he worked towards the pursuit of world peace and away from the Cold War; and her exploration of psychedelic drugs. Fifty years after the assassinations of President Kennedy and Mary Meyer, this book helps readers understand why both took place. Author Peter Janney fought for two years to obtain documents from the National Personnel Records Center and the US Army to complete this third edition. It includes a final chapter about the mystery man who could be the missing piece to learn the truth behind Meyer’s murder.

In the decades spanning the nineteenth century, thousands of women entered the literary marketplace. Twelve of the century's most successful women writers provide the focus for Mary Kelley's landmark study: Maria Cummins, Caroline Howard Gilman, Caroline Lee Hentz, Mary Jane Holmes, Maria McIntosh, Sara Parton, Catharine Maria Sedgwick, E.D.E.N. Southworth, Harriet Beecher Stowe, Mary Virginia Terhune, Susan Warner, and Augusta Evans Wilson. These women shared more than commercial success. Collectively they created fictions that Kelley terms "literary domesticity," books that both embraced and called into question the complicated expectations shaping the lives of so many nineteenth-century women. Matured in a culture of domesticity and dismissed by a male writing establishment, they struggled to reconcile public recognition with the traditional roles of wife and mother. Drawing on the 200 volumes of published prose and on the letters, diaries, and journals of these writers, Kelley explores the tensions that accompanied their unprecedented literary success. In a new preface, she discusses the explosion in the scholarship on writing women since the original 1984 publication of Private Woman, Public Stage and reflects on the book's ongoing relevance.