"Recent years have witnessed a surge in interest the Pacific world as a hub for the global trade in art objects. Yet, the history of art and architecture has seldom reckoned with another profound aspect of the region's history: its exposure to global conflict. Art and War in the Pacific World provides a new view of the Pacific world, and of global artistic interaction, by exploring how the making, alteration, looting, and destruction of images, objects, buildings, and landscapes intersected with the exercise of force during the British and U.S. military incursions of the eighteenth and nineteenth centuries"--Provided by publisher.

This volume studies a fundamental element of Montesquieu’s argumentative architecture that is most apparent in his De l’Esprit des Lois: the problem of giving order to, and establishing a network of consistent explanations of political, social and cultural diversity. Following a thorough and careful analysis of his writings, the volume approaches this subject by observing the use of the information sources available to Montesquieu, the relationships between them, and the judgments he expresses. The book examines some of Montesquieu’s essential theoretical contributions, such as the idea of despotism, and the connection between politics, society and religion, on the basis of his reflections on the variety of mainly non-European societies and cultures. It demonstrates a number of possible inconsistencies and unresolved questions in Montesquieu’s argumentation. One of the main subjects of the book is the consideration of geographical context as an essential element for elaborating uniform criteria of political analysis. The book collects contributions concerning Montesquieu’s reflections on China, Tartary, Japan, India, America, Russia, and the Islamic world, and, building on this earlier research, it shows the importance of Montesquieu’s thought and explains the reason for his longstanding influence.