A Treasury of Early Music
Title | A Treasury of Early Music PDF eBook |
Author | Carl Parrish |
Publisher | Courier Corporation |
Total Pages | 352 |
Release | 2012-12-06 |
Genre | Music |
ISBN | 0486171450 |
Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
A Treasury of Early Music
Title | A Treasury of Early Music PDF eBook |
Author | Carl Parrish |
Publisher | |
Total Pages | 0 |
Release | 1959 |
Genre | Music |
ISBN |
A Treasury of Early Music
Title | A Treasury of Early Music PDF eBook |
Author | |
Publisher | |
Total Pages | |
Release | |
Genre | Instrumental music |
ISBN |
A Treasury of Early Music ; an Anthology of Masterworks of the Middle Ages, the Renaissance, and the Baroque Era
Title | A Treasury of Early Music ; an Anthology of Masterworks of the Middle Ages, the Renaissance, and the Baroque Era PDF eBook |
Author | Carl Parrish (ed) |
Publisher | |
Total Pages | 3321 |
Release | 1958 |
Genre | Instrumental music |
ISBN |
A treasury of early music
Title | A treasury of early music PDF eBook |
Author | Carl Parrish |
Publisher | |
Total Pages | 331 |
Release | 1984 |
Genre | |
ISBN |
The Early Music Revival
Title | The Early Music Revival PDF eBook |
Author | Harry Haskell |
Publisher | Courier Corporation |
Total Pages | 242 |
Release | 1996-01-01 |
Genre | Music |
ISBN | 9780486291628 |
First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.
Early Music History
Title | Early Music History PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Total Pages | 222 |
Release | 2009-03-19 |
Genre | Literary Criticism |
ISBN | 9780521104302 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume three include: The Venetian privilege and music-printing in the sixteenth century; Francesco Landini and the Florentine cultural elite; and the Beneventan apostrophus in south Italian notation, AD 1000-1100.