This is the real toy story, an unprecedented behind-the-scenes journey through a world of influence, fantasy, and multimillion-dollar Hollywood deals, a world where the whims of children make millionaires and topple titans. This is also the story of an unusual man. Alan Hassenfeld, the chief executive officer of Hasbro, never intended to run a Fortune 500 company. A free spirit who dreamed of being a writer and exploring Asia, he was content to remain in the shadow of his older brother Stephen, a marketing genius who transformed a family firm established by immigrant Jews into powerhouse and Wall Street darling. Then tragedy struck. Stephen, and intensely private man, died of AIDS, a disease he had not acknowledged he had, even to his family. Alan Hassenfeld was named CEO, just as Hasbro was facing a daunting onslaught of challenges. Toy Wars is about Alan's struggle to balance the demands of the bottom line with his ideals about the kind of toys children deserve, as well as the ethical obligations of management. Wayne Miller, an award-winning journalist and novelist, was granted unprecedented access to Hasbro, the maker of G.I. Joe, Star Wars toys, Mr. Potato Head, Batman, Monopoly, Scrabble, Trivial Pursuit, and countless other favorites. For five years, he sat in on design sessions, marketing meetings, and focus groups, and interviewed employees in every part of the company. He witnessed a major corporate restructuring; crucial deal with Dreamworks SKG; a hostile takeover bid by archrival Mattel; the collapse of a $45 million virtual reality game; and the company makeover of G.I. Joe, Hasbro's flagship product and one of the most popular toys of all time. Toy Wars is filled with many colorful characters, including: Hollywood moguls Steven Spielberg and George Lucas, whose kid-friendly movies can translate into licensing gold for toymakers Mighty Morphin Power Rangers creator Haim Saban, who tapped into a popular Japanese TV series and made it a worldwide television and merchandising phenomenon Mattel CEO Jill Barad, the second-highest-paid woman in corporate America, who promotes and defends Barbie with the zeal of a religious crusader Hasbro executive Al Verrecchia, the loyal second in command who did not let friendship or tradition stand in the way of a dramatic restructuring Larry Bernstein, arguably the best toy salesman ever, a riotous raconteur whose divisional presidency crumbled when he was unable to meet Hasbro's profit goals Rich in family drama and written with sly wit, Toy Wars is a deeply compelling business story, a fascinating tour through a billion-dollar industry that exerts tremendous influence on the lives of children everywhere.

For over half a century, Emyr Humphreys's work as a novelist, short story writer, poet, dramatist and television producer has been extraordinarily impressive. This pioneering and stimulating book considers Humphreys's fiction from a range of contemporary critical perspectives and stresses its relevance to the 21st century. Drawing on the work of leading modern cultural and literary theorists such as Jacques Derrida and Homi Bhabha, psychoanalytic critics such as Melanie Klein and Jacqueline Rose, and gender theorists such as Judith Butler, Linden Peach brings fresh perspectives to the content, structure and developing nature of Humphreys's work, employing, for example, historicist, post-historicist, new geography, psychoanalytic and feminist and postfeminist frameworks. Through detailed readings which highlight subjects such as gender identity, contested masculinities, war, pacifism, strangeness and 'otherness', problematic father and daughter relationships, and cultural discourse in complex linguistic environments, Peach suggests that Humphreys's work is best understood as 'dramatic', 'dissident' and/or 'dilemma' fiction rather than by the term 'Protestant novelist' which Humphreys used to describe himself at the outset of his career. Stressing how Humphreys came to see himself as more of a 'protesting' novelist, Peach examines how the dilemmas around which his fiction is based, originally linked to Humphreys's definition of himself as a 'protestant' writer, increasingly become sites in which controversial, and often dark themes, are explored. This approach to Humphreys's work is pursued through exciting readings of some of Humphreys best and lesser known works including A Man's Estate, A Toy Epic, Outside the House of Baal, the Best of Friends, salt of the Earth, Unconditional Surrender, The Gift of a Daughter, Natives, Ghosts and Strangers, Old people are a Problem, The shop and The Woman at the Window.

This book explores in detail the novels written by Emyr Humphreys during a timespan of over fifty years, from his first, A Little Kingdom, published in 1946, to The Gift of a Daughter, published in 1998. An early chapter comprises a literary biography with the following chapters devoted to: the early novels including A Toy Epic; a separate examination of Outside the House of Baal, considered by many to be his finest achievement; his use of Celtic myth as a patterning device; similarly his use of Welsh history is covered in 2 chapters; and finally his use of various postcolonial strategies. It also contains an extensive bibliography of work by and about Emyr Humphreys.

Virginia Woolf, Europe, and Peace: Transnational Circulations enlarges our understanding of Virginia Woolf’s pacifist ideology and aesthetic response to the World Wars by re-examining her writings and cultural contexts transnationally and comparatively through the complex interplay between modernism, politics, and aesthetics. The “transnational” paradigm that undergirds this collection revolves around the idea of transnational cultural communities of writers, artists, and musicians worldwide who were intellectually involved in the war effort through the forging of pacifist cultural networks that arose as a form of resistance to war, militarism, and the rise of fascism. The book also offers philosophical approaches to notions of transnational pacifism, anti-war ethics, and decolonization, examining how Woolf’s prose undermines center/edge or self/other bifurcations. Breathing new life into Woolf’s anti-war writings through a transnational lens and presenting us with the voices and perspectives of a range of significant scholars and critics, the chapters in this volume engage with mobile and circulatory pacifisms, calling attention to the intersections of modernist inquiries across the arts (art, music, literature, and performance) and transnational critical spaces (Asia, Europe, and the Americas) to show how the convergence of different cultural and linguistic horizons can significantly expand and enrich our understanding of Woolf’s modernist legacy.

Published to mark the centenary of his birth in 2019, this is the first comprehensive and authoritative study of the life and work (excluding only work for television) of the major Welsh writer Emyr Humphreys. During the course of a career spanning half a century, and dating back to the 1950s when he collaborated with the likes of Graham Greene, Patrick Heron, Saunders Lewis, Richard Burton, Siân Phillips and Peter O’Toole, Humphreys has published some two dozen works of fiction (including Outside the House of Baal, the greatest novel of anglophone Welsh literature) as well as highly distinctive poetry, seminal essays, and a visionary cultural history of Wales. In addition to offering a critical and interpretative survey of this remarkable, distinguished body of work, the present volume also sets Humphreys’s output in the context of the dramatic, transformative decades in recent Welsh history during which it was produced.