A fantastical illustrated book where mice chase cats, penguins live in the jungle, cars fly and aeroplanes float!

To the first Europeans who came to Australia, everything seemed topsy turvy. Christmas was in the summer and trees shed their bark but not their leaves. And the animals were bizarre. There was a bird that laughed like a donkey and a type of greyhound that bound along on its hind legs like a hare. There was an animal in Tasmania whose nocturnal screeches sounded like the devil and a river creature that had a duck's bill at one end and a beaver's tail at the other. The Europeans had never seen anything like these animals before and gave them names similar to those of the European creatures they already knew. They drew and painted odd pictures of them, showing they did not understand the animals' habits. In one illustration, a wombat is standing on its back legs and in another a Tasmanian tiger is wrestling with a platypus of the same size.

No musical partnership has enjoyed greater success during its time span than that of Gilbert and Sullivan in the later 19th century. No fewer than a dozen Savoy operas are still regularly performed. The operas present audiences with splendidly rich and satirical evocations of Victorian England and its society: the prime subject matter of this book!

This book brings into sharp relief the way in which gender, race, slavery, and status shaped the lives of children in the American South before, during, and after the Civil War. She argues that the identities children developed in the antebellum era shaped their responses to the upheavals of the war years and their lives after the war's conclusion.

A multistoried apartment building. Its plaster is grayish beige and exudes a kind of petit-bourgeois tristesse; it has the requisite carpeted balcony railings, the lone flower box, even the deckchair is there. A familiar view. It is only on second glance that we see that something is wrong. All of the balcony doors lead to nowhere, and in turn, the balconies themselves cannot be accessed.German photographer Frank Kunert (*1963 in Frankfurt/Main) has not uncovered any sort of architectural scandal. With Balcony is one of the works that sensitively and enigmatically turn familiar narrative contexts upside down and question reality itself. Far from being simply photographic satire, Kunert's miniatures give three-dimensional form to puns on thoughts and words, making them tangible in the truest sense of the word. Kunert spends weeks constructing his model sets down to the smallest detail and then photographs them in his studio-in the process, creating the antithesis of worn and hackneyed concepts and ideas. Exhibition schedule: Galerie S, Siegen, February 22-March 28, 2008 · Darmstädter Tage der Fotografie, Darmstadt, April 18-20, 22008 · Galerie Camera Obscura, Dortmund, August 16-September 6, 2008 · Artbox Frankfurt, Galerie der Editionen, October 2-29, 2008 · Stadtmuseum Münster, February 23-April 11, 2010

A sailing car, flying children, and talking cows are all part of a very topsy-turvy world.