Controversy over the role of human activity in causing climate change is pervasive in contemporary society. But, as Anya Zilberstein shows in this work, debates about the politics and science of climate are nothing new. Indeed, they began as early as the settlement of English colonists in North America, well before the age of industrialization. In the seventeenth and eighteenth centuries, many early Americans believed that human activity and population growth were essential to moderating the harsh extremes of cold and heat in the New World. In the preindustrial British settler colonies in particular, it was believed that the right kinds of people were agents of climate warming and that this was a positive and deliberate goal of industrious activity, rather than an unintended and lamentable side effect of development. A Temperate Empire explores the ways that colonists studied and tried to remake local climates in New England and Nova Scotia according to their plans for settlement and economic growth. For colonial officials, landowners, naturalists, and other elites, the frigid, long winters and short, muggy summers were persistent sources of anxiety. These early Americans became intensely interested in reimagining and reducing their vulnerability to the climate. Linking climate to race, they assured would-be migrants that hardy Europeans were already habituated to the severe northern weather and Caribbean migrants' temperaments would be improved by it. Even more, they drew on a widespread understanding of a reciprocal relationship between a mild climate and the prosperity of empire, promoting the notion that land cultivation and the expansion of colonial farms would increasingly moderate the climate. One eighteenth-century naturalist observed that European settlement and industry had already brought about a "more temperate, uniform, and equal" climate worldwide-a forecast of a permanent, global warming that was wholeheartedly welcomed. Illuminating scientific arguments that once celebrated the impact of economic activities on environmental change, A Temperate Empire showcases an imperial, colonial, and early American history of climate change.

The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries. Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.

Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now. In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.

Ornamentalism is a vividly evocative account of a vanished era, a major reassessment of Britain and its imperial past, and a trenchant and disturbing analysis of what it means to be a post-imperial nation today.

Profiles a variety of North American forest consumers, producers, and decomposers, explaining how each one fits into the region.

Pineapple Culture is a dazzling history of the world's tropical and temperate zones told through the pineapple's illustrative career. --from publisher description

Suman Seth reveals how histories of medicine, empire, race and slavery intertwined in the eighteenth-century British Empire.