In this dystopian romance, a warlord discovers one of his prisoners is his childhood bully. After the political mood bursts and fractures into mayhem, the U.S. is divided into territories. States no longer exist and tyranny blossoms. The warlords secure their areas, new rules and laws have been setup, and the rest of the population struggles to survive. Before the country ran amok, I worked as a food scientist for contents and food safety. The militia destroyed my labs and scientific research. As a 37-year-old woman, I’m left scavenging for food and clothing. One fateful day, I’m captured and thrown into a cell. Even though I don’t know what it entails, I’ve been chosen as a taste offering prisoner. I refuse to eat the food, which infuriates the guards. After being beaten and almost assaulted, I’m requested by the warlord, Rain Skinner. In his chambers, he recognizes me as his grammar school bully, and at that moment, I realize I’m doomed. Now, there’s nothing he wants more than to make me pay for the hell I put him through. Author’s Note: Sometimes all we have time for is a quickie. This is a dark dystopian romance. It contains adult content and triggers. Reader discretion is advised. If you want a list of warnings, please visit authordenisebaer.com

This book, the first of two volumes, will provide a major new history of the British B film, tracing the development of the low-budget supporting feature from the 1927 Films Act (which introduced a quota system for the distribution and exhibition of indigenous product) to the age of television, when B film producers channelled their energies into making TV programmes. Along the way, the authors will address leading producers and studios, B film stars, distributors, the genres and themes that tended to dominate B film production (comedy, horror, crime and fantasy). 'Quota Quickies' will include a case study of the B films of Michael Powell. The authors' argument is that the B film was hugely important in British cinema history in offering an opportunity for British actors and technicians to develop their careers, and that the films themselves provided an outlet for the exploration of peculiarly British cultural concerns in an industry traditionally dominated by Hollywood output. They also contend that some of the films stand up well to contemporary viewing and are deserving of critical re-evaluation.

What can we learn from exploring the differences in male and female orgasmic experience? Is the penis an entity with a mind of its own? These issues and others, such as the popular portrayals of male sexuality as active and outwardly focused and female sexuality as passive and internally located, are discussed in The Science/Fiction of Sex. Contemporary feminist and poststructuralist theories of sex and gender are explored alongside an investigation of how people make sense of such concepts as heterosexuality, orgasm, sexual dysfunction, femininity and masculinity, and safer sex practice. Potts asks men and women about their actual experiences of heterosex. This interview material, combined with excerpts from sexological and medical texts and features from film and television, draws attention to the ways in which western cultural constructs influence our ideas and experiences of the body, sex, and gender. Potts also uses deconstructive theory as a textual tool, concentrating on how binary oppositions such as inside/outside and mind/body impact on our understandings of heterosex, and affect the power relations between women and men. She also examines how the radical postmodern theories of the body and sexuality proposed by Irigaray, Lyotard, and Deleuze and Guattari disrupt such dualistic modes of understanding and experiencing sexualized bodies. The Science/Fiction of Sex will be of interest to those studying women and psychology as well as gender studies, cultural studies, feminist studies, sociology, philosophy, public health and education.

This unique cookbook is full of tempting recipes for two that can be prepared in under an hour. It offers such creative dishes as "Chicken Porno Bleu", "Promiscuous Prawns", and "Fondue Me, Please!" Beneath the double entendres are elegant yet easy dishes.

Quick fixes to improve your life for freshly independent, fast-paced chicks Based on the popular QuickieChick website, lifestyle expert Laurel House's QuickieChick's Cheat Sheet to Life, Love, Food, Fitness, Fashion, and Finance on a Less Than Fabulous Budget offers quick tips for smart, sassy, independent chicks. This is the essential manual on life's lessons delivered in fun, snappy, and instantly-gratifying bites of information. Beyond a fab pair of stilettos, a big shot mentor and a go-to ab workout, QuickieChick reminds us that what every chick really needs are the 3Gs: Gumption, Grace, and Guidance. QuickieChick is filled with professional advice from business entrepreneurs, exclusive tips straight from celebrities, insightful anecdotes from real women who have "been there and done that," end of chapter cheat sheets that simplify the steps to success in concise and actionable advice, and fun quizzes that help you find out who you really are. This is the perfect rescue handbook for post-grad girls about life and how to live it...fabulously on a budget. QuickieChick features practical solutions that guide you through: • How to ace the job interview • How to gain financial independence, move out of your parents' place, and avoid roommate drama • Quickie workouts for every location: in bed, at the office, on an airplane, in the kitchen, and more • How to get a boost of confidence by wearing "power panties" • 1-ingredient refrigerator facials: how to get fab skin by using ingredients found in your fridge • Dating and dumping: when to leave, when to stay, where to meet guys, and how to keep them hooked • Work party protocol: how to dress, what to say, and how to act • How to throw a fab cocktail party on a budget...with no stress • Finding a mentor

THE EXIT INTERVIEW is a story about the competitiveness between two business, oriented buddies whose friendship became marred by jealousy and envy, ended in tragic circumstances, or at best, melodramatically. In LOVE IS A DRUM, Pops is a senior citizen who shares the spotlight with Malcolm, a young romantic who projects himself years ahead of his time to emphasize with the old man. THE EMPTY STAGE is a story that indulges in the often beguiling concept of reality. It speaks to a reality that Billy, a television cameraman, and Walter, a character actor, both finds it difficult to identify actuality. BLOOD AND WINE is a story that shows the need for our compassion in understanding the vagrant and try to ease if not remedy his eerie, and dismal world of existence.

Poems / Images are a collection of verse, and excerpts from fiction I wrote over the years, with prose narrative honed and targeted to poems to make a connective, and where possible, an explosive imagery. Obviously, the writer believes he has met the goals he sets out for himself in this book, by making an imaginary unity in sound and meaning substantive, confident all along in his credo that he is always partial to impartiality.