She Came to Avoid a Scandal Olivia Banning came to London to solve one mystery, and stumbled upon another quite by accident. Unfortunately her plans are disrupted when the notoriously rakish Earl of Dugdale catches her investigating—in his bedchamber. And Ended Up the Talk of the Ton Andrew Terwillger, the Earl of Dugdale, scoffs at Olivia's tales of things that go bump in the night, although her beauty and courage are tempting. When they're caught in a kiss, neither he nor she wants the marriage Society demands. But marry they must, despite their misgivings. And as soon as they say "I do," increasingly strange and mysterious things start to happen... Praise for The Rogue Steals a Bride: "An enchanting romance."—RT Book Reviews, 4 ½ stars "Devilishly charming...A touching tale of love conquering misplaced honor."—Library Journal "Sensual and touching...Witty and clever...Another great story of forbidden love."—Fresh Fiction

Forbidden love. That's exactly what Brandi Miles finds at her local nightclub. Forbidden comes in the form of Timothy Polaris, at least until she discovers his true identity. She's African-American, he's white, but their craving for each other cannot be restrained. Soon Brandi discovers that her secret lover is even more forbidden when she walks into her first class at Madison University to discover he's her professor. Can race relations on this staid campus ever be the same again?

EVEN THE MOST REFINED LADY Lady Emeline Gordon is the model of sophistication in London's elite social circles, always fashionable and flawlessly appropriate. As such, she is the perfect chaperone for Rebecca, the young sister of a successful Boston businessman and former Colonial soldier. CRAVES AN UNTAMED MAN Samuel Hartley may be wealthy, but his manners are as uncivilized as the American wilderness he was raised in. Who wears moccasins to a grand ball? His arrogant disregard for propriety infuriates Emeline, even as his boldness excites her. TO RELEASE HER PASSION . . . But beneath Samuel's rakish manner, he is haunted by tragedy. He has come to London to settle a score, not to fall in love. And as desperately as Emeline longs to feel this shameless man's hands upon her, to taste those same lips he uses to tease her, she must restrain herself. She is not free. But some things are beyond a lady's control . . .

Nestled in the lush green mountains of North Carolina, the Honeywilde Inn will be a romantic’s dream getaway, if only the Bradley siblings can keep it running. It will take a combination of hard work, good luck, and the kind of love that dreams are made of . . . Sophie Bradley can always count on Wright. He's not just her brother’s best friend, he's practically part of the family. His honesty and willingness to listen are a constant comfort, and his culinary skills are a huge selling point for the inn. But when a casual moment in the kitchen turns electric, an impulsive kiss leaves her weak in the knees—a kiss Wright dismisses as “temporary insanity” and insists will never happen again. How could he have done it? Wright feels like a big enough jerk, disappointing his parents with his career choices—plus he's secretly entertaining job offers from restaurants coast-to-coast. He's betraying everyone. . . and now he's kissed his best friend's sister. The only option is to hit the brakes, hard. But once Sophie's been kissed, she can't be unkissed, and as things start falling apart around him, Wright wonders if a momentary lapse might be the beginning of something extraordinary.

*I LOVE this author. I absolutely LOVE this series. It was perfect all the way. I can't wait to read the next one. 5 Star, Sandra* For years, bomb expert Brad Crosby has been the star of my dreams. But I’m a pastry chef whose makeup consists of a dusting of powdered sugar on my nose. A far cry from the put-together girls he prefers. Until he crawls into the wrong bed, and wakes up with the wrong woman—me. He’s not into permanent—not anymore—and I readily agree to his rules. One affair. Thirty days. Soon enough we’re burning up the night, and I want more…I want everything. What is it going to take to prove to the bomb expert that this isn’t going to blow up in his face, and that some rules were made to be broken. Each book in the Line of Duty Series can be read as a Standalone. His Obsession Next Door His Trouble in Tallulah His Taste of Temptation His Moment to Steal His Best Friend's Girl His Reason to Stay His Strings to Pull (Novella)

Coke adds life. Just do it. Yo quiero Taco Bell. We live in a commercial age, awash in a sea of brand names, logos, and advertising jingles—not to mention commodities themselves. Are shoppers merely the unwitting stooges of the greedy producers who will stop at nothing to sell their wares? Are the producers' powers of persuasion so great that resistance is futile? James Twitchell counters this assumption of the used and abused consumer with a witty and unflinching look at commercial culture, starting from the simple observation that "we are powerfully attracted to the world of goods (after all, we don't call them 'bads')." He contends that far from being forced upon us against our better judgment, "consumerism is our better judgment." Why? Because increasingly, store-bought objects are what hold us together as a society, doing the work of "birth, patina, pews, coats of arms, house, and social rank"—previously done by religion and bloodline. We immediately understand the connotations of status and identity exemplified by the Nike swoosh, the Polo pony, the Guess? label, the DKNY logo. The commodity alone is not what we are after; rather, we actively and creatively want that logo and its signification—the social identity it bestows upon us. As Twitchell summarizes, "Tell me what you buy, and I will tell what you are and who you want to be." Using elements as disparate as the film The Jerk, French theorists, popular bumper stickers, and Money magazine to explore the nature and importance of advertising lingo, packaging, fashion, and "The Meaning of Self," Twitchell overturns one stodgy social myth after another. In the process he reveals the purchase and possession of things to be the self-identifying acts of modern life. Not only does the car you drive tell others who you are, it lets you know as well. The consumption of goods, according to Twitchell, provides us with tangible everyday comforts and with crucial inner security in a seemingly faithless age. That we may find our sense of self through buying material objects is among the chief indictments of contemporary culture. Twitchell, however, sees the significance of shopping. "There are no false needs." We buy more than objects, we buy meaning. For many of us, especially in our youth, Things R Us.

Is lasting love on the menu? Hotelier Harper Fontaine only wants one thing in life: to take over her family's business empire. And she won't let celebrity chef Ashton Croft screw up the new restaurant in her Vegas showcase. Getting the adventurer to meet deadlines is hard enough, but turning down the flame on their uncontrollable chemistry soon proves impossible! Ashton has traveled the world but has never encountered a delicacy as delicious as Harper. Sure, what happens in Vegas stays in Vegas, but will Ashton stay for Harper...especially when the chips are down and she suddenly stands to lose it all?