The Tapestry of Death. More medieval mystery for people who laugh. England 1067: Briston the weaver has been murdered – in a very special way – and it is up to his old friend Wat to avenge his death. Brother Hermitage will naturally support his companion in the quest, but the young monk worries as the number of suspects keeps rising. He's never been good with crowds. When events take a turn for the truly bizarre, Hermitage and Wat find themselves up to their Saxon socks in people who want them dead, people who want one another dead and people who seem to want everyone dead. They must find a missing maiden, placate a giant killer and reveal the awful secret of the Tapestry of Death before matters are resolved. Resolved largely unsatisfactorily, but then that's life. With a monk, tradesmen, priests, Normans and Saxons, The Tapestry of Death should be a solid, traditional medieval who-done-it, but it isn't. Really, it isn't. Authentic and accurate representation of the time? Barely. Historically informative? Certainly not. Hilarious and very silly? Now you're getting warm. Critical analysis of the work of Howard of Warwick: “His writing is crisp, riotously funny, and he weaves a masterful little mystery that will leave you crying for more!” “Like Brother Cadfael visits Discworld.” “I would recommend this to anyone who loves a good story! It is so hard to wait until the new books come out!” Compared to Monty Python, Carry On films, Terry Pratchett ...and Winnie the Pooh! If you're looking for a serious historical mystery with all the usual trappings, look elsewhere. If you're hoping for characters who are knowledgable beyond their time and talk like a history book, prepare to be disappointed. If you're after a tale of a monk hopelessly out of his depth and a weaver who is really rather naughty, this is the book for you.

The long-awaited sequel to The Phoenix Guards and Five Hundred Years After Two hundred years after Adron's Disaster, in which Dragaera City was accidentally reduced to an ocean of chaos by an experiment in wizardry gone wrong, the Empire isn't what it used to be. Deprived at a single blow of their Emperor, of the Orb that is the focus of the Empire's power, of their capital city with its Impe-rial bureaucracy, and of a great many of their late fellow citizens, the surviving Dragaerans have been limping through a long Interregnum, bereft even of the simple magic and sorcery they were accustomed to use in everyday life. Now the descendants and successors of the great ad-venturers Khaavren, Pel, Aerich, and Tazendra are growing up in this seemingly diminished world, con-vinced, like their elders, that the age of adventures is over and nothing interesting will ever happen to them. They are, of course, wrong . . . . For even deprived of magic, Dragaerans fight, plot, and conspire as they breathe, and so do their still-powerful gods. The enemies of the Empire prowl at its edges, in-scrutable doings are up at Dzur Mountain...and, unex-pectedly, a surviving Phoenix Heir, young Zerika, is discovered—setting off a chain of swashbuckling events that will remake the world yet again. The Khaavren Romances, set in the world of Vlad Taltos's Dragaera: 1. The Phoenix Guards 2. Five Hundred Years After 3. The Paths of the Dead (The Viscount of Adrilankha, Vol. 1) 4. The Lord of Castle Black (The Viscount of Adrilankha, Vol. 2) 5. Sethra Lavode (The Viscount of Adrilankha, Vol. 3) The Baron of Magister Valley [standalone] At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself. Featuring twelve additional vignettes along with a brand–new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.