A Study Guide for Alberto Rios's "When Giving Is All We Have", excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Studentsfor all of your research needs.

What Would You Do with a Yellow Envelope? After Kim and her husband decide to quit their jobs to travel around the world, they're given a yellow envelope containing a check and instructions to give the money away. The only three rules for the envelope: Don't overthink it; share your experiences; don't feel pressured to give it all away. Through Ecuador, Peru, Nepal, and beyond, Kim and Brian face obstacles, including major challenges to their relationship. As she distributes the gift to people she encounters along the way she learns that money does not have a thing to do with the capacity to give, but that giving—of ourselves—is transformational.

"Rios evokes the mysterious and unexpected forces that dwell inside the familiar."—The Washington Post "Ríos delivers another stunning book of poems, rich in impeccable metaphors, that revel in the ordinariness of morning coffee and the crackle of thunderous desert storms. In one sonnet, Ríos addresses injustice in the borderlands, capturing with mathematical precision the everyday struggles that many migrants face—'The border is an equation in search of an equals sign.' A series of sonnets about desert flora abounds with fantastic, magical imagery—'Bougainvilleas do not bloom—they bleed' and 'Apricots are eggs laid in trees by invisible golden hens.' Likewise, Ríos's bestiary sonnets overflow with inimitable similes, worthy of a book unto themselves—'Minnows are where a river’s leg has fallen asleep' and 'Gnats are sneezes still flying around.' This robust volume is the perfect place to start for readers new to Ríos and a prize for seasoned fans."—Booklist In his thirteenth book, Alberto Rios casts an intense desert light on the rich stories unfolding along the Mexico-US border. Peppered with Spanish and touches of magical realism, ordinary life and its simple props—morning showers, spilled birdseed, winter lemons—becomes an exploration of mortality and humanity, and the many possibilities of how lives might yet be lived. Mad Honey Made from magnificent rhododendron, poisonous rhododendron, Very difficult-to-pronounce rhododendron—whatever Rhododendron even is—I would have to look it up myself, This word sounding puffed up, peacocky with its Indianapolisly-long spelling, all those letters moving in and out. But the plant itself, the plant and the bees that find it: The bees see in its purple flower, first, a purple flower. They do not spell it. They do not live in fear of quizzes, Purple offering what it has to offer, unapologetic, without further Definition, purple irresistible to the artist's and to the bee's eye— Who can blame either one this first-grade impulse toward love? Purple, always wearing something low-cut . . . Alberto Rios is the Poet Laureate of Arizona and host of the PBS program Books & Co. He was a finalist for the National Book Award for his poetry volume The Smallest Muscle in the Human Body. He teaches at Arizona State University and lives in Chandler, Arizona.

Mortality, family memories, dreams, and an understanding of human personality are depicted in brief poems.

From the author of Gaze, a collection of poetry reflecting on the human condition, time, and the passing of existence. From celebrated poet Christopher Howell, Love’s Last Number is a series of musings on time’s arrow: on both the relentless march that divides each moment into past, present, and future — before and after — and the ultimately porous and recursive nature of time itself. A soldier remembers limes, and curious children in Portugal. Refugees cross a dangerous land, and find each other in love. Boy scouts play war in devastating ways, a child listens to a baseball game in a more innocent time. In this multiplicity of voices and tones, the collection reflects on what we, as humans, do about memory, love, grief, war, and the search for meaning. In its sinuous sequences, Love’s Last Number insists that life—and history—are a continuing crisis of faith, imagination, consciousness, and moral clarity. And yet these poems, like existence itself, offer moments of transcendent joy and sudden hilarity: laughter against the darkness. Praise for Love’s Last Number “Howell demonstrates the imagination of a fabulist and the intellect of a philosopher in his richly contemplative poetry collection. . . . Love’s Last Number showcases a visionary mind and serves as a testament to the power of imagination in connecting human beings with each other.” —Shelf Awareness “These poems are great gifts. They contain multitudes of Whitmanesque wisdoms. These poems read as what our fathers would say to us after they are dead and gone. These poems are necessary. They are essential.” —John Hodgen, author of Grace

A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more.