A Singing Ambivalence undertakes a comprehensive examination of the ways in which nine immigrant groups - Irish, Germans, Scandinavians, Eastern European Jews, Italians, Poles, Hungarians, Chinese, and Mexicans - responded to their new lives in the United States through music. Each group's songs reveal an abiding concern over leaving their loved ones and homeland and an anxiety about adjusting to the new society. But accompanying these feelings was an excitement about the possibilities of becoming wealthy and about looking forward to a democratic and free society. known and unknown origins that comment on the problems immigrants faced and reveals the wide range of responses they made to the radical changes in their new lives in America. His selection of lyrics provides useful capsules of expression that clarify the ways in which immigrants defined themselves and staked out their claims for acceptance in American society. But whatever their common and specific themes, they reveal an ambivalence over their coming to America and a pessimism about achieving their goals. the United States, while at the same time conveying from an aesthetic viewpoint how immigrants expressed their hopes and difficulties through a unique medium - song. This is an important volume that will be welcomed by scholars of music and U.S. immigration history.

In New York and London during World War I, the performance of lieder—German art songs—was roundly prohibited, representing as they did the music and language of the enemy. But as German musicians returned to the transatlantic circuit in the 1920s, so too did the songs of Franz Schubert, Hugo Wolf, and Richard Strauss. Lieder were encountered in a variety of venues and media—at luxury hotels and on ocean liners, in vaudeville productions and at Carnegie Hall, and on gramophone recordings, radio broadcasts, and films. Laura Tunbridge explores the renewed vitality of this refugee musical form between the world wars, offering a fresh perspective on a period that was pervaded by anxieties of displacement. Through richly varied case studies, Singing in the Age of Anxiety traces how lieder were circulated, presented, and consumed in metropolitan contexts, shedding new light on how music facilitated unlikely crossings of nationalist and internationalist ideologies during the interwar period.

This book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography in Western art musics and demonstrates their historical and sociological importance. The essays in this book explore the concepts of “existential irony” and “sanctification,” which have been mentioned or discussed by music scholars, historians, and musicologists only either in connection with specific composers’ works (Shostakovich’s, in the case of “existential irony”) or very parenthetically, merely in passing in the biographies of composers of “classical” musics. This groundbreaking work illustrates their generality and sociological sources and correlates in contemporary Western art musics.

Folk Music: TheBasics gives a brief introduction to British and American folk music. It is an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style.

In Poland and elsewhere there has been a noticeable increase of interest in various aspects of the Polish-Jewish past which can be explained, the author argues, in terms of a broader intellectual need to explore the "blank spots" of Poland's national history. This quest begins and ends with Polish anti-Semitism and the Shoah, during which most of Europe's Jews were annihilated on Polish soil, but also focuses on the events of 1946-1968, the years of pogroms, anti-Semitic campaigns, and mass emigration of the Jews from Poland. All these became main issues of public reflection in Poland after a silence for almost forty years and led to the widespread view that Polish-Jewish relations are irredeemably poisoned by anti-Semitism. If this is the case, how is it possible then, the author asks, that Jews still play an important role in the cultural expressions and the consciousness of the Polish people? To find an answer, she explored Polish-Jewish relations in a small Galacian town from the early 19th century to the end of World War II. Detailed analysis of archival materials as well as interviews with Polish inhabitants of this town and Jewish survivors living elsewhere reveal a pattern of Polish-Jewish interdependence that has led to a far more complex picture than is generally assumed.

Combining Analytic and Continental approaches, this book provides a detailed analysis of mental ambivalence and its structures, forms and possibilities, in a philosophical context. The author explores ambivalence alongside issues relating to subjectivity, action and judgement, developing new and highly original accounts of these concepts.

This volume explores the 'Americanization' of Central and Eastern Europe during and after the Cold War. It seeks to revisit and expand this critical concept by investigating previously overlooked perspectives and new comparative constellations. The Iron Curtain has frequently been seen as a tightly sealed border between East and West. However, as the contributions to this collection illustrate, it proved remarkably permeable for American goods and lifestyles which generated and gratified a range of often ambivalent desires and fantasies. This book attends to the ensuing 'messiness' of cultural transfer and mixing, as well as to the role 'America' has played in these processes. In twelve case studies, a broad spectrum of disciplinary angles and diverse geo-biographical horizons come together to examine the elusive dynamics of ambivalent Americanizations in areas such as music, television, and material culture.