Illuminates Dutch participation in Latin-American colonial trade while revising the standard historical argument of illegal 'contraband' trading and 'corrupt' officials.

Bestselling author S. A. Chakraborty’s acclaimed Daevabad Trilogy gets expanded with this new compilation of stories from before, during, and after the events of The City of Brass, The Kingdom of Copper, and The Empire of Gold, all from the perspective of characters both beloved and hated, and even those without a voice in the novels. The River of Silver gathers material both seen and new—including a special coda fans will need to read—making this the perfect complement to those incredible novels. Now together in one place, these stories of Daevabad enrich a world already teeming with magic and wonder. Explore this magical kingdom, hidden from human eyes. A place where djinn live and thrive, fight and love. A world where princes question their power, and powerful demons can help you…or destroy you. A prospective new queen joins a court whose lethal history may overwhelm her own political savvy… An imprisoned royal from a fallen dynasty and a young woman wrenched from her home cross paths in an enchanted garden… A pair of scouts stumble upon a secret in a cursed winter wood that will turn over their world… From Manizheh’s first steps towards rebellion to adventures that take place after The Empire of Gold, this is a must-have collection for those who can’t get enough of Nahri, Ali, and Dara and all that unfolded around them.

Drawing on a wide and rich array of sources, this book explores the nature and extent of Dutch trade and commerce in the Río de la Plata during three decades of the least-studied century (1650–1750) of Spain's rule in the Americas. In doing so, it raises important questions about trade in colonial South America and how it was impacted by the Dutch, suggesting that these transactions were carried out within the confines of the law, contradicting common beliefs among scholars that this trading was not regulated. The book contributes to a growing literature on contraband trade, administration, networks, and corruption while challenging narratives of exclusively Spanish influence on the Americas.

Lyrical realism meets family drama meets sparkling folktale. Joan, a half-Chinese English conversation teacher who is unmoored in Europe, flees Budapest for a fresh start. Stepping off the train in Bratislava, she meets Milan, a proud Roma teenager, with whom she strikes up a friendship. Milan helps Joan to settle into the city, and in turn, Joan introduces him to Adriana, who has travelled to lay the memory of her dead mother to rest. They form an unlikely trio, bound by love and luck into something like family. The ensuing tale of youthful hope in the face of systemic oppression and racial violence, of family reconciliation and the magic of coincidence, asserts the primacy of love and courage in hard times. Where the Silver River Ends plumbs the depths of intergenerational relationships, mixed-race identity, and what happens when we gather the courage to step out of the current and make our own way in the world.

During the five years Jimmy Burns was based in Buenos Aires, which resulted in his award-winning study of the Falklands War and its aftermath, The Land That Lost Its Heroes, he also embarked on further-flung journeys in Argentina, Brazil, Peru, Ecuador, Bolivia and Chile. 'Each South American country is idiosyncratic - it brings out our individual fantasies and forces us to interpret anew,' writes Burns. Certainly to travel with him is to trace the footprints of history - conquest and subjugation, defiance and hope - yet to encounter at each turn a fresh observation, the unexpected. He conducts us by steam train up the Andes and down to the treacherous depths of a Bolivian tin mine. We find a hotbed of Argentine loyalties in Tierra del Fuego, beaches of bodies beautiful in Brazil and Peruvian streets where fanatical Sendero Luminoso guerrillas wage a permanent power struggle with the military. Burns introduces us to Sixto Vazquez, Indian intellectual with an unshakeable faith in legend and animism; to Tina, White Russian Duchess of Platinov, who now presides over an eerie domain of enormous moths in the Ecuadorian rain forest; to Father Renato Hevia, the editor of a Jesuit magazine in Chile who is harassed and detained if he fails to mention Pinochet in even one edition. To this journey of discovery Jimmy Burns brings all the clarity of vision and eloquence of expression for which he was awarded the 1988 Somerset Maugham Award for Non-fiction.