This intellectual history study establishes Ballanche as an important figure in the intellectual life of early nineteenth-century France, and demonstrates how his religio-social project effected a critical step in the historical-mindedness of the Romantic period.

This intellectual history study establishes Ballanche as an important figure in the intellectual life of early nineteenth-century France, and demonstrates how his religio-social project effected a critical step in the historical-mindedness of the Romantic period.

Nineteenth century medievalism is usually associated with Scott's world of Ivanhoe , but Romantic Medievalism argues that Scott's is a conservative use of the past and that radical poets such as the young Coleridge, Keats and Shelley used the medieval to critique and change, rather than validate, the present. These poets identified with the troubadour of courtly love, a disempowered figure often politically at odds with the establishment figure of the knight.

Secular Spirituality challenges the traditional dichotomy between Enlightenment reason and religion. It follows French romantic socialists' and spiritists' search for a new spirituality based on reincarnation as a path to progress for individuals and society. Leaders like Allan Kardec argued for social reform; spiritist groups strove for equality; and women mediums challenged gender roles. Lynn L. Sharp looks closely at what it meant to practice spiritism, analyszing the movement's social and political critique and explaining the popularity of the new belief. She explores points of convergence and conflict in the interplay between spiritism and science, spiritism and psychology, and spiritism and the Catholic church to argue that the nineteenth century was not as 'disenchanted' as has been thought. Secular Spirituality successfully places spiritism within a larger cultural conversation, going beyond the leaders of the movement to look at the way spiritism functioned for its followers.

"A fierce absolutist, a furious theocrat... the champion of the hardest, narrowest, and most inflexible dogmatism... part learned doctor, part inquisitor, part executioner." Thus did Émile Faguet describe Joseph-Marie de Maistre (1753–1821) in his 1899 history of nineteenth-century thought. This view of the influential thinker as a reactionary has, with little variation, held sway ever since. In The French Idea of History, Carolina Armenteros recovers a very different figure, one with a far more subtle understanding of, and response to, the events of his day. Maistre emerges from this deeply learned book as the crucial bridge between the Enlightenment and the historicized thought of the nineteenth century. Armenteros demonstrates that Maistre inaugurated a specifically French way of thinking about past, present, and future that held sway not only among conservative political theorists but also among intellectuals generally considered to belong to the left, particularly the Utopian Socialists. The historical rupture represented by the French Revolution compelled contemporaries to reflect on the nature and meaning of history. Some who remained religious during those years felt history with particular intensity, awakening suddenly to the fear that God might have abandoned humankind. This profound spiritual anxiety emerged in Maistre's work: under his pen, everything—knowledge, society, religion, government, the human body—had to be historicized and temporalized in order to be known. The imperative was to end history by uncovering its essence. Socialists, positivists, and traditionalists drew on Maistre's historical ideas to construct the collective good and design the future. The dream that history held the key to human renewal and the obliteration of violence faded after the 1848 revolutions, but it permanently changed French social, political, moral, and religious thought.

The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.