They had entertained a good deal during the winter; much of the time had also been passed in New Orleans in various forms of mild dissipation. She was looking forward to a period of unbroken rest, now, and undisturbed tete-a-tete with her husband, when he informed her that Gouvernail was coming up to stay a week or two. This was a man she had heard much of but never seen. He had been her husband's college friend; was now a journalist, and in no sense a society man or "a man about town," which were, perhaps, some of the reasons she had never met him. But she had unconsciously formed an image of him in her mind. She pictured him tall, slim, cynical; with eye-glasses, and his hands in his pockets; and she did not like him. Gouvernail was slim enough, but he wasn't very tall nor very cynical; neither did he wear eyeglasses nor carry his hands in his pockets. And she rather liked him when he first presented himself. But why she liked him she could not explain satisfactorily to herself when she partly attempted to do so. She could discover in him none of those brilliant and promising traits which Gaston, her husband, had often assured her that he possessed. On the contrary, he sat rather mute and receptive before her chatty eagerness to make him feel at home and in face of Gaston's frank and wordy hospitality. His manner was as courteous toward her as the most exacting woman could require; but he made no direct appeal to her approval or even esteem.

‘It took my mother, Khonuo, exactly forty-five years before she could bring herself to talk about the war.’ These powerful words introduce the reader to Easterine Kire’s stunning new novel, A Respectable Woman. In Nagaland, the decisive Battle of Kohima has been fought and won by the Allies, and people in and around Kohima are trying hard to come to terms with the devastation, the loss of home and property, and the deaths of their loved ones. Forty years after the event, Khonuo recreates this moment, stitching together her memories, bit by painful bit, for her young daughter. As memory passes from mother to daughter, the narrative glides seamlessly into the present, a moment in which Nagaland, much transformed, confronts different realities and challenges. Using storytelling traditions so typical of her region, Kire leads the reader gently into a world where history and memory meld — where, through this blurring, a young woman comes to understand the legacy of her parents and her land.

In the nineteenth century, New York City underwent a tremendous demographic transformation driven by European immigration, the growth of a native-born population, and the expansion of one of the largest African American communities in the North. New York's free blacks were extremely politically active, lobbying for equal rights at home and an end to Southern slavery. As their activism increased, so did discrimination against them, most brutally illustrated by bloody attacks during the 1863 New York City Draft Riots. The struggle for civil rights did not extend to equal gender roles, and black male leaders encouraged women to remain in the domestic sphere, serving as caretakers, moral educators, and nurses to their families and community. Yet as Jane E. Dabel demonstrates, separate spheres were not a reality for New York City's black people, who faced dire poverty, a lopsided sex ratio, racialized violence, and a high mortality rate, all of which conspired to prevent men from gaining respectable employment and political clout. Consequently, many black women came out of the home and into the streets to work, build networks with other women, and fight against racial injustice. A Respectable Woman reveals the varied and powerful lives led by black women, who, despite the exhortations of male reformers, occupied public roles as gender and race reformers.

This book studies the ways in which the assessment of being or not being ‘respectable’ has been applied to women in the UK in the past one hundred and fifty years. Mary Evans shows how the term ‘respectable’ has changed and how, most importantly, the basis of the ways in which the respectability of women has been judged has shifted from a location in women’s personal, domestic and sexual behaviour to that of how women engage in contemporary forms of citizenship, not the least of which is paid work. This shift has important social and political implications that have seldom been explored: amongst these are the growing marginalisation of the validation of the traditional care work of women, the assumption that paid work is implicitly and inevitably empowering and the complex ways in which respectability and conformity to highly sexualised conventions about female appearance have been normalised. Making Respectable Women makes use of archive material to show how the changing definition of a moral and social concept can have an impact on both the behaviour and the choices of individuals and the operations of institutional power. It will be of interest to students and scholars across the humanities and social sciences.

Philippa Maclay is the daughter of a missionary who is left alone on the death of her father to make her way in the restricted society of mid nineteenth century London. Taking a post at a charity school in the East End she is torn between her love for her work and the girls in her care and her relationship with Major Kit Clevedon, a man to whom she can never be more than a diversion. Major Kit Clevedon is an aristocrat by birth and a soldier by choice and knows that he should stay away from the young school teacher he first met in the African bush but his attraction to the girl who lives in a different world to him is rapidly turning into something a lot more. Set against the luxury of Victorian salons and the poverty and teeming backstreets of the East End, A Respectable Woman is the story of a girl who must choose between propriety and love in a society which gave no second chances to a woman who lost her reputation.

In late 19th-century New Orleans, social constraints are strict, especially for a married woman. Edna Pontellier leads a secure life with her husband and two children, but her restlessness grows within the confined societal norms, and the expectations placed upon her – from her husband and the world around her – create increasing pressure. During a trip to Grand Isle, an island off the coast of Louisiana, her life is turned upside down by an intense love affair, and passion forces her to question the foundations of her – and every woman’s – existence. Kate Chopin's novel The Awakening caused a scandal with its outspokenness when it was published in 1899. The novel’s openly sexual themes and disregard for marital and societal conventions led to it not being reprinted for fifty years. It wasn't until the 1950s that Chopin’s work was rediscovered, and The Awakening received significant acclaim. Today, it is not only seen as an early feminist milestone but also as a classic. KATE CHOPIN [1851–1904] was born in St Louis. She had six children during her marriage, and it wasn't until after her husband's death in 1882 that she emerged as a writer. She published short stories in magazines such as Vogue and The Atlantic, gaining appreciation and recognition for her depictions of the American South. However, she was also criticized for her disregard for social traditions and racial barriers.