Tessa Abbott had never known contentment until she came to stay with her distant cousins, the Coopers. But it’s the eve of a wedding, and nothing will ever be the same again. When the bride and groom finally leave, Mrs. Cooper will be taking a holiday, and Tessa will be sent away from the only place she’s ever wanted to be...at home with the man of her dreams. When Robin Cooper took in Tessa Abbott, he found a kindred, though wary, spirit he soon wished to spend the rest of his life with. But finding opportunities to declare his interest has been impossible with his family demanding almost all of Tessa’s attention. So he’s made a plan for after the wedding. She’s the plan. She just doesn’t know it yet. A Naughty and Nice standalone regency romance short story. Naughty and Nice series: 1. One Wicked Night 2. In the Widow’s Bed 3. Love Me Tender 4. Love Me True 5. Wicked Mourning 6. A Husband for Mary 7. A Ramshackle Start 8. Let it Snow 9. Coming Together 10. Unforgettable

Jesse Ventura--former governor, wrestler, and Navy SEAL--on what's wrong with the Democrats, the Republicans, and politics in America.--From publisher description.

Lose yourself in Lakeville Hills in this gorgeous new romance from bestselling author Camilla Isley... When she’s ghosted by yet another Tinder match, Leighton swears off dating for life. Who needs apps and blind dates when she has the perfect-in-every-way (apart from being fictional) heroes of her beloved romance novels? That night Leigh finds a second-hand book on her TBR pile, which transports her to the small-town of Lakeville Hills, where the heroines wear shorty-shorts and the men drink bourbon. And as Leigh drifts off to sleep, she dreams of billionaire cowboy Killian St Clair, who could win a gold medal for smouldering and bicep flexing. For a while, Leigh finds it easier to stomach misogynistic supervisors, newly coupled friends, and extravagant bridesmaid duties knowing she can return to Lakeville Hills each evening. Until one day, she wakes up to find she’s brought a bit of Lakeville Hills back with her: the impossible sexy and entirely implausible Killian St Clair is in her apartment. Now Leigh must help Killian navigate the real world. But as she gets to know the man behind the trope, can she keep her heart safe, or does she risk falling in love with her book boyfriend in real life?

This study provides a historical analysis of Freudenthal’s didactic ideas and his didactic career. It is partly biographical, but also contributes to the historiography of mathematics education and addresses closely related questions such as: what is mathematics and where does it start? Which role does mathematics play in society and what influence does it have on the prevailing views concerning its accompanying didactics?. Hans Freudenthal (1905–1990), professor in mathematics, scientist, literator, but above all mathematics-educator, was inextricably linked to the changes which took place in mathematics education and didactics during the second half of the last century. His diversity as a scientist and his inexhaustible efforts to establish the didactics of mathematics as a seriously pursued science, made Freudenthal's influence in this area considerable. He foresaw an essential, practical role for mathematics in everyone’s life, encouraging students to discover and create mathematics themselves, instead of imposing a ready-made mathematical system. The theory of mathematics education thus developed in the Netherlands would gain world fame in the following decades. Today, in the light of the discussions about mathematics education, in which the call for `genuine’ mathematics instead of the so-called 'kindergarten'-mathematics can be heard, Freudenthal's approach seems to be passé. However, the outcome of this study (which is mainly based on documents from Freudenthal’s vast personal archive) shows a more refined picture. The direct identification of 'kindergarten'-mathematics with Freudenthal’s view on mathematics education is not justified. 'Realistic mathematics' as advocated by Freudenthal includes more than just a practical introductory and should, among other things, always aim at teaching 'genuine' mathematics in the end.

A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013

Welcome to Tia Lola's bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois' grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn't as easy they had initially thought--especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who's behind the plot to make their B & B fail? And will Tía Lola's family and friends be able to plan her a surprise birthday party in her own B & B without her finding out? The last book in the Tía Lola Stories

My name is Ed Rivers. I live in Tampa, Florida, where I work as a private cop. I’m six feet tall, weigh in at about one ninety, and am forty years old. When I look in the mirror I see a heavy, bearish face, dark-tanned and creased, the thick lids giving the brown eyes a lazy look. Women either get a charge from that face or want to run from it. Men fear it or trust it to the hilt. It isn’t a face that ever meets a neutral reaction. I’m not always happy about that, but it’s my face and I have to do the best I can with it.