Horror is one of the most enduringly popular genres in cinema. The term “horror film” was coined in 1931 between the premiere of Dracula and the release of Frankenstein, but monsters, ghosts, demons, and supernatural and horrific themes have been popular with American audiences since the emergence of novelty kinematographic attractions in the late 1890s. A Place of Darkness illuminates the prehistory of the horror genre by tracing the way horrific elements and stories were portrayed in films prior to the introduction of the term “horror film.” Using a rhetorical approach that examines not only early films but also the promotional materials for them and critical responses to them, Kendall R. Phillips argues that the portrayal of horrific elements was enmeshed in broader social tensions around the emergence of American identity and, in turn, American cinema. He shows how early cinema linked monsters, ghosts, witches, and magicians with Old World superstitions and beliefs, in contrast to an American way of thinking that was pragmatic, reasonable, scientific, and progressive. Throughout the teens and twenties, Phillips finds, supernatural elements were almost always explained away as some hysterical mistake, humorous prank, or nefarious plot. The Great Depression of the 1930s, however, constituted a substantial upheaval in the system of American certainty and opened a space for the reemergence of Old World gothic within American popular discourse in the form of the horror genre, which has terrified and thrilled fans ever since.

Discover the gripping new thriller from the Sunday Times bestselling author of the Logan McRae series THE CLOCK IS TICKING... Detective Constable Angus MacVicar has just landed his dream job – transferred out of uniform and assigned to Oldcastle’s biggest ongoing murder investigation: Operation Telegram, hunting the 'Fortnight Killer'. Every two weeks another couple is targeted. One victim is left at the scene, their corpse used as a twisted message board. The second body is never seen again. This should be the perfect chance for Angus to prove himself, but instead of working on the investigation’s front line, he’s lumbered with the forensic psychologist from hell. A sarcastic know-it-all American, on loan from the FBI, who seems determined to alienate everyone while dragging Angus into a shadowy world of conspiracies, lies, and violence. It’s been twelve days since the Fortnight Killer last struck, and the investigation’s running out of time. Angus's shiny new job might just be the death of him... Praise For Stuart MacBride: ‘Fast, hard, authentic – and different’ Lee Child ‘A terrific writer’ The Times ‘MacBride is a damned fine writer – no one does dark and gritty like him’ Peter James ‘Dark and gripping. A riveting page-turner’ Independent on Sunday ‘Unmissable ... superb storytelling’ Sun Stuart McBride, Number 1 Sunday Times bestseller, November 2023

The amazing, mysterious realm of Striggworld can finally be revealed. When the human creatures appeared, they ravaged the forests and hunted many birds to extinction. The flightless Striggs had only one option: They went down, down under the ground . . . And it’s there, as you may have heard it whispered, that they still remain. Far below, in a place of stone and darkness . . . Over thousands of years, they colonised a labyrinth of tunnels and caves, but even underground the Striggs are not safe: chemicals now pollute their water and a deadly sickness threatens the flock. Even worse: an inquisitive young Strigg called Ellee Meddo discovers a human boy, trapped deep in a well. Humans are to be feared and saving him could mean travelling to the surface, a place of untold peril. What will Ellee decide to do? Are you brave enough to follow Ellee into the darkness?

The story of the most terrifying case of demonic possession in the United States. It became the basis for the hit film “The Haunting in Connecticut” starring Virginia Madsen. Shortly after moving into their new home, the Snedeker family is assaulted by a sinister presence that preys one-by-one on their family. Exhausting all other resources, they call up the world-renowned demonologists Ed and Lorraine Warren—who have never encountered a case as frightening as this... No one had warned the Snedekers their new house used to be an old funeral home. Their battle with an inexplicable and savage phenomena had only just begun. What started as a simple “poltergeist” escalated into a full-scale war, an average American family battling the deepest, darkest forces of evil—a war this family could not afford to lose.

A tribute to the Pulitzer Prize-winning former poet laureate's Iowa family is an evocative collection of tales that center around his beloved uncle Elvy, a victim of cerebral palsy who the author remembers for his love of fishing, pinochle, and drinking soda from an ice chest at the family gas station. Original.

Heart of Darkness is often considered the world’s best short novel. The book serves as a bridge between the 19th century and modernism, an adventure tale revolving around the ambiguity of themes such as truth, morality, and evil. Joseph Conrad witnessed the European exploitation of the Congo with his own eyes. He once sailed up the Congo River himself to locate a countryman at a trading station deep within the country – even though this man wasn't named Kurtz. The goal and enigma of the journey have become synonymous with this name, one of the most unforgettable fictional characters of our time. JOSEPH CONRAD [1857–1924] was born in Ukraine to Polish parents, went to sea at the age of seventeen, and ended his career as a captain in the English merchant navy. His most famous work is the novella Heart of Darkness [1899], adapted into a film by Francis Ford Coppola in 1979 as Apocalypse Now.

For fans of Kathleen Barber and Julia Heaberlin comes a chilling psychological suspense from award-winning author Jen Williams about a woman who discovers her late mother had a decades-long secret correspondence with a serial killer, begging the question: how well do we know our own family and even ourselves? When prodigal daughter Heather Evans returns to her family home after her mother's baffling suicide, she makes an alarming discovery--stacks and stacks of carefully preserved letters from notorious serial killer Michael Reave. The "Red Wolf," as he was dubbed by the press, has been in prison for over twenty years, serving a life sentence for the gruesome and ritualistic murders of several women across the country, although he has always protested his innocence. The police have had no reason to listen, yet Heather isn't the only one to have cause to re-examine the murders. The body of a young woman has just been found, dismembered and placed inside a tree, the corpse planted with flowers. Just as the Red Wolf once did. What did Heather's mother know? Why did she kill herself? And with the monstrous Red Wolf safely locked inside a maximum security prison, who is stalking young women now? Teaming up with DI Ben Parker, Heather hopes to get some answers for herself and for the newest victims of this depraved murderer. Yet to do that, she must speak to Michael Reave herself, and expose herself to truths she may not be ready to face. Something dark is walking in the woods, and it knows her all too well.