After facing heartbreak in their previous relationships, both Naomi and Amos vowed never to love again. In this first installment of The Amish Inn series from bestselling novelist Beth Wiseman, true love takes root in the deepest of wounds. Sweet Naomi Byler cooks meals for the guests at The Peony Inn, where Amish sisters and owners of the inn Esther and Lizzie love her like a granddaughter. She’s as happy there as a young woman can be, considering that her fiancé, Thomas, has left her to court someone else. She knows she’ll get over the love of her life in due time, but she is beginning to assume marriage will never be a part of her future. Amos Lantz and his mother are guests at the inn, visiting town for a cousin’s wedding. Attending a wedding is the last thing Amos wants to do since his own fiancée, Sarah, died tragically just a year ago. Naomi and Amos understand each other’s grief and quickly become friends when they discover their mutual love of painting. As the two begin to paint through their sadness together, Esther and Lizzie play matchmaker—a risky move with the potential to backfire. And when Thomas makes an unexpected return intending to win Naomi back, she realizes she no longer knows her own heart. Sweet, uplifting Amish romance The first installment of The Amish Inn Novels—Book 1: A Picture of Love; Book 2: An Unlikely Match; Book 3: A Season of Change Book length: 85,000 words Includes discussion questions for book clubs

Sometimes, certain things are not what they seem. With a little bit of luck, it pays to be at the right place at the right time and Stephie Jenkins, a young photographer with no formal education but sheer talent, proved that sometimes opportunities exists are the unlikeliest places. It was a chance in a lifetime when she was offered the job of being the photographer of a rock band, which entailed touring with the band for 6 months and taking photographs for their collection. Every young girl's fantasy is to fall in love with a rock star and be swept off their feet in glitz and glamour. It started out as an infatuation on the lead singer, Chris but as time goes by, she began to develop strong feelings for him. He was involved with another girl at first and paid her minimal attention but her kindness and patience paid off in the end when he broke off with his girlfriend and started a relationship with her. However, Stephie has a secret that will tear their relationship apart. Will Chris ever forgive Stephie when he finds out and will their love survive the different curveballs thrown their way? Only time will tell.

They’ve helped orchestrate the perfect day for countless couples. Now twelve new couples will find themselves in the wedding spotlight in the second Year of Weddings novella collection. When image becomes everything, it’s up to love to refocus the heart. Photographer Jenna Harrison wants every bride and groom to look picture perfect on their special day, putting her heart into every wedding to give the couple memorable images of their love. But her own heart is still broken, the unworn wedding dress hanging in her closet a reminder that relationships aren't always as perfect as they look through her camera lens. But Jenna has faith that she will find true love. Until then, she must be patient and trust in God's plan and His perfect timing. Attorney Ashton Vance is the one that got away. When an embarrassing Photoshopped picture of put an end to his political aspirations, he blamed Jenna. So what if the photo led to his being offered a dream job and changing his life for the better? Jenna betrayed his trust, and two years later, Ashton's heart still hasn't recovered. It was me. His younger sister's three words turn Ashton's world upside down. He must ask Jenna’s forgiveness, but can he risk his heart a second time? Even if Jenna can forgive him, dare he hope for a second chance at her love?

Edward S. Feldman's legendary career began in advertising and publicity at 20th Century-Fox in the 1950s, and from there he worked his way up to executive studio positions within Seven Arts, Filmways, and Warner Brothers. Following this, he has spent the last twenty-five years as a successful, Academy Award-nominated film producer. Ed's unique story takes readers on a more than fifty-year journey through Hollywood that few can tell--and most will never forget. With tales from the set of Whatever Happened to Baby Jane? to why a well-known actor trashed Ed's office and why a major Hollywood mogul tried to turn all of Tinseltown against one of Ed's films, readers will learn what it takes to produce a film and survive the jungles of Hollywood, laughing all the way. Tell Me How You Love the Picture is a smartly written, surprising, hilarious memoir that takes us behind the scenes with wild, no-holds-barred stories about major Hollywood personalities ranging from Bette Davis to Elizabeth Taylor, Stanley Kubrick to Scott Rudin, Harrison Ford to Jim Carrey to Eddie Murphy and more. As a top studio exec and one of Hollywood's most respected producers, Feldman has seen the film business from the inside out, worked with some of the best talent in the industry, and experienced things few can imagine. An incredible Hollywood memoir from one of moviedom's renowned producers, Tell Me How You Love the Picture is full of insight and the stuff of gossip, bad behavior, and high success.

He'd forgotten the love they'd shared Tobie was happy with her boyfriend, Mark, until he insisted on their flying to the Caribbean to meet his family. He was unaware that Tobie knew his half brother, Robert, all too well. Their devastating affair had ended years ago. Tobie was shocked to find that Robert was now partially crippled and had amnesia. She supposed she should be relieved that he was no threat to her happiness with Mark. Instead she wished desperately that Robert could remember how he'd once loved her… and love her again.

A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.