A heart-stopping survivor story and brilliant historical investigation that offers unprecedented insight into daily life in the Third Reich and the Holocaust and the powers and pitfalls of memory. At the outbreak of World War II, Marianne Strauss, the sheltered daughter of well-to-do German Jews, was an ordinary girl, concerned with studies, friends, and romance. Almost overnight she was transformed into a woman of spirit and defiance, a fighter who, when the Gestapo came for her family, seized the moment and went underground. On the run for two years, Marianne traveled across Nazi Germany without papers, aided by a remarkable resistance organization, previously unknown and unsung. Drawing on an astonishing cache of documents as well as interviews on three continents, historian Mark Roseman reconstructs Marianne's odyssey and reveals aspects of life in the Third Reich long hidden from view. As Roseman excavates the past, he also puts forward a new and sympathetic interpretation of the troubling discrepancies between fact and recollection that so often cloud survivors' accounts. A detective story, a love story, a story of great courage and survival under the harshest conditions, A Past in Hiding is also a poignant investigation into the nature of memory, authenticity, and truth.

Peter Coldrick, man without a past, hires Morton Farrier, forensic genealogist, to uncover the truth of Coldrick's family history. Unfortunately, the day after Farrier is hired, Coldrick turns up dead and someone wants Farrier to abandon the case.

Summoning all the colors of a Chopin prelude, Dawson has painted a vivid picture of his mother (Mona Golabeck) as a young girl whose musical genius enables her to survive the Holocaust.

Raymond Burr (1917-1993), a film noir regular known for his villainous roles in movies like Rear Window, became one of the most popular stars in television history. He delighted millions of viewers each week in the toprated shows Perry Mason and Ironside, which ran virtually uninterrupted for nearly twenty years.

In a powerful blending of memoir and spiritual quest, a prize-winning novelist and travel writer takes his two young sons to Europe to find out how their family fled the Nazis.

With a foreword by Alan Gratz, New York Times bestselling author of Refugee. Ruth Gruener was a hidden child during the Holocaust. At the end of the war, she and her parents were overjoyed to be free. But their struggles as displaced people had just begun.In war-ravaged Europe, they waited for paperwork for a chance to come to America. Once they arrived in Brooklyn, they began to build a new life, but spoke little English. Ruth started at a new school and tried to make friends -- but continued to fight nightmares and flashbacks of her time during World War II.The family's perseverance is a classic story of the American dream, but also illustrates the difficulties that millions of immigrants face in the aftermath of trauma.This is a gripping and human account of a survivor's journey forward with timely connections to refugee and immigrant experiences worldwide today.

Named one of the ten best books of the year by the Chicago Tribune A Publishers Weekly best book of 2019 | A 2019 NPR Staff Pick A pathbreaking history of the United States’ overseas possessions and the true meaning of its empire We are familiar with maps that outline all fifty states. And we are also familiar with the idea that the United States is an “empire,” exercising power around the world. But what about the actual territories—the islands, atolls, and archipelagos—this country has governed and inhabited? In How to Hide an Empire, Daniel Immerwahr tells the fascinating story of the United States outside the United States. In crackling, fast-paced prose, he reveals forgotten episodes that cast American history in a new light. We travel to the Guano Islands, where prospectors collected one of the nineteenth century’s most valuable commodities, and the Philippines, site of the most destructive event on U.S. soil. In Puerto Rico, Immerwahr shows how U.S. doctors conducted grisly experiments they would never have conducted on the mainland and charts the emergence of independence fighters who would shoot up the U.S. Congress. In the years after World War II, Immerwahr notes, the United States moved away from colonialism. Instead, it put innovations in electronics, transportation, and culture to use, devising a new sort of influence that did not require the control of colonies. Rich with absorbing vignettes, full of surprises, and driven by an original conception of what empire and globalization mean today, How to Hide an Empire is a major and compulsively readable work of history.