Examines the creation of 'sporting plantations' in the South Carolina lowcountry during the first four decades of the twentieth century.

An intimate look inside Plymouth Plantation that goes beyond familiar founding myths to portray real life in the settlement—the hard work, small joys, and deep connections to others beyond the shores of Cape Cod Bay. The English settlement at Plymouth has usually been seen in isolation. Indeed, the colonists gain our admiration in part because we envision them arriving on a desolate, frozen shore, far from assistance and forced to endure a deadly first winter alone. Yet Plymouth was, from its first year, a place connected to other places. Going beyond the tales we learned from schoolbooks, Carla Gardina Pestana offers an illuminating account of life in Plymouth Plantation. The colony was embedded in a network of trade and sociability. The Wampanoag, whose abandoned village the new arrivals used for their first settlement, were the first among many people the English encountered and upon whom they came to rely. The colonists interacted with fishermen, merchants, investors, and numerous others who passed through the region. Plymouth was thereby linked to England, Europe, the Caribbean, Virginia, the American interior, and the coastal ports of West Africa. Pestana also draws out many colorful stories—of stolen red stockings, a teenager playing with gunpowder aboard ship, the gift of a chicken hurried through the woods to a sickbed. These moments speak intimately of the early North American experience beyond familiar events like the first Thanksgiving. On the 400th anniversary of the Mayflower landing and the establishment of the settlement, The World of Plymouth Plantation recovers the sense of real life there and sets the colony properly within global history.

The author of "Every Good-Bye Ain't Gone" presents a provocative, timely examination of racial identity. Itabari Njeri lays out with precision and power how limited racial definitions contribute to the psychological slavery that makes the mind "the last plantation".

Whayne also offers an analysis of the forces at work on the local level. She suggests that concerted opposition to modernization existed even before New Deal programs gave power to the planters in the 1930s. She also demonstrates that the Arkansas delta experienced many of the same conflicts based on social class and racial caste that were evident in former slaveholding areas.

In the era between the world wars, wealthy sportsmen and sportswomen created more than seventy large estates in the coastal region of South Carolina. By retaining select features from earlier periods and adding new buildings and landscapes, wealthy sporting enthusiasts created a new type of plantation. In the process, they changed the meaning of the word 'plantation', with profound implications for historical memory of slavery and contemporary views of the South. A New Plantation World is the first critical investigation of these 'sporting plantations'. By examining the process that remade former sites of slave labor into places of leisure, Daniel J. Vivian explores the changing symbolism of plantations in Jim Crow-era America.

Assessing a unique collection of more than eighty images, this innovative study of visual culture reveals the productive organization of plantation landscapes in the nineteenth-century Atlantic world. These landscapes—from cotton fields in the Lower Mississippi Valley to sugar plantations in western Cuba and coffee plantations in Brazil's Paraiba Valley—demonstrate how the restructuring of the capitalist world economy led to the formation of new zones of commodity production. By extension, these environments radically transformed slave labor and the role such labor played in the expansion of the global economy. Artists and mapmakers documented in surprising detail how the physical organization of the landscape itself made possible the increased exploitation of enslaved labor. Reading these images today, one sees how technologies combined with evolving conceptions of plantation management that reduced enslaved workers to black bodies. Planter control of enslaved people's lives and labor maximized the production of each crop in a calculated system of production. Nature, too, was affected: the massive increase in the scale of production and new systems of cultivation increased the land's output. Responding to world economic conditions, the replication of slave-based commodity production became integral to the creation of mass markets for cotton, sugar, and coffee, which remain at the center of contemporary life.

Zephaniah Kingsley is best known for his Fort George Island plantation in Duval County, Florida, now a National Park Service site, and for his 1828 pamphlet, A Treatise on the Patriarchal System of Society, that advocated just and human treatment of slaves, liberal emancipation policies, and granting rights to free persons of color. Paradoxically, his fortune came from the purchase, sale, and labor of enslaved Africans. In this penetrating biography, Daniel Schafer vividly chronicles Kingsley's evolving thoughts on race and slavery, exploring his business practices and his private life. Kingsley fathered children by several enslaved women, then freed and lived with them in a unique mixed-race family. One of the women--the only one he acknowledged as his "wife" though they were never formally married--was Anta Madgigine Ndiaye (Anna Kingsley), a member of the Senegalese royal family, who was captured in a slave raid and purchased by Kingsley in Havana, Cuba. A ship captain, Caribbean merchant, and Atlantic slave trader during the perilous years of international warfare following the French Revolution, Kingsley sought protection under neutral flags, changing allegiance from Britain to the United States, Denmark, and Spain. Later, when the American acquisition of Florida brought rigid race and slavery policies that endangered the freedom of Kingsley's mixed-race family, he responded by moving his "wives" and children to a settlement in Haiti he established for free persons of color. Kingsley's assertion that color should not be a "badge of degradation" made him unusual in the early Republic; his unique life is revealed in this fascinating reminder of the deep connections between Europe, the Caribbean, and the young United States.