Describes the events leading to the war and the unforgettable individuals of that era including peacemaker Henry Clay, Harriet Tubman, and abolitionist John Brown.

Describes the events that led up to the beginning of the Civil War.

"Describes events before, during, and after the battle of Gettysburg, including key players, weapons, and battle tactics"--Provided by publisher.

From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.

Describes the events that led up to the beginning of the Civil War.

Civil war has been a recurring feature of human societies throughout history - and an essential catalyst for major international conflict. And since 1945 the number of civil wars in the world has grown steadily, bringing devastation on a scale more traditionally associated with international wars. In spite of this, there is no classic treatise on civil war to compare with the classic works we have on war, revolution, or peace. On the one hand, historians have tended to treat the 'big' civil wars such as the American and the Spanish in isolation. On the other, social scientists have concentrated on identifying common patterns, without looking in too much detail at the specifics of any given conflict. Focusing on the numerous civil conflicts that have occurred throughout the world since the Second World War, Bill Kissane bridges this gap, asking what the recent social science literature adds to what we already know about civil war, but also how insights from the historical literature, from the ancient Greeks onwards, can help explain the violent experience of so many parts of the world since 1945. At its heart is the question of what makes the contemporary challenge posed by civil war so different to that of past periods - and what, if anything, is new about the contemporary experience of civil war at the dawn of the twenty-first century.