An early history of African Americans by an African American woman.

It is no coincidence, Daphne Lamothe writes, that so many black writers and intellectuals of the first half of the twentieth century either trained formally as ethnographers or worked as amateur collectors of folklore and folk culture. In Inventing the New Negro Lamothe explores the process by which key figures such as Zora Neale Hurston, Katherine Dunham, W. E. B. Du Bois, James Weldon Johnson, and Sterling Brown adapted ethnography and folklore in their narratives to create a cohesive, collective, and modern black identity. Lamothe explores how these figures assumed the roles of self-reflective translators and explicators of African American and African diasporic cultures to Western, largely white audiences. Lamothe argues that New Negro writers ultimately shifted the presuppositions of both literary modernism and modernist anthropology by making their narratives as much about ways of understanding as they were about any quest for objective knowledge. In critiquing the ethnographic framework within which they worked, they confronted the classist, racist, and cultural biases of the dominant society and challenged their readers to imagine a different set of relations between the powerful and the oppressed. Inventing the New Negro combines an intellectual history of one of the most important eras of African American letters with nuanced and original readings of seminal works of literature. It will be of interest not only to Harlem Renaissance scholars but to anyone who is interested in the intersections of culture, literature, folklore, and ethnography.

A narrative of the Negro. 238 Pages.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library W028650 The "late publications" referred to are those of Mathew Carey, particularly his "Short account of the malignant fever, lately prevalent in Philadelphia .." - District of Pennsylvania copyright notice (p. [2]) names Jones and Richard Allen as authors. "To Philadelphia: Printed for the authors, by William W. Woodward, at Franklin's Head, no. 41, Chesnut-Street, 1794. 28 p.; 12°

Large Print Edition, Printed in 18pt Font. MOST girls and boys, who are from twelve to fourteen years old can tell, if one should ask them, many interesting things about America, the country in which we live and most children whose fore-parents came from Europe or Asia have been taught to love those countries just because their kinfolk once lived there. Many little colored children can draw a map of Africa, tell some of its products and describe some of its people; I wonder how many have been taught to think of Africa with interest and affection, because our great, great grandparents came from that continent? Perhaps if we talk awhile about our Motherland and some of the notable things which have happened there, we shall all learn to love that wonderful country and be proud of it. In these talks, though sometimes the adjective "colored" will be used just as the word "white" is frequently made use of, we shall, as a rule speak of ourselves as "Negroes" and always begin the noun with a capital letter. It is true that the word Negro is considered by some a term of contempt and for that reason, many of us wince at it; but history tells us that when England had been conquered by the Normans, centuries ago, and the Norman barons were beating, starving and killing the natives, the name "Englishman" was considered an abusive term, and the greatest insult one Norman could offer another was to call him an "Englishman." You know that now all who claim England as home are justly proud of it, and no Englishman is ashamed of that name. If history repeats itself, as we are often told it does, the time will come when our whole race will feel it an honor to be called "Negroes." Let us each keep that hope before us and hasten the time by living so that those who know us best will respect us most; surely then those who follow will be proud of our memory and of our race-name.