A retrospective on the life and work of the gifted sculptor, Charles H. Forrester (1928-2010), reveals a man whose mind was in constant motion. His artwork spans six decades and is lavishly illustrated with commentary from art historians and contemporary artists. A Mind in Motion: The Art of Charles H. Forrester offers an in-depth guide into the mind and artistic legacy of the artist. Curated by his daughter, Winifred, the book vividly presents more than eighty stunning images organized by ten distinct categories and five creative series of his most significant artwork. This richly visual coffee table book will appeal to art lovers everywhere. Forrester was the master of the visual pun and comes to life through his legacy — sculptures, paintings and drawings, and journals. He was especially adept at working with the human figure, creating abstract figurative forms in materials ranging from welded steel to laminated-plywood. His engineering prowess was reflected in his kinetic sphere sculptures and wire suspension works. He captured startlingly realistic details, yet his works are highly stylized – often twisted into sly visual puzzles and riddles. The artist’s large concrete outdoor sculptures across the United States and England are among his most well-known works, but he also created many smaller sculptures cast in bronze and aluminum. With roots in New York and the Pacific Northwest, and as a teacher for thirty years in England and Kentucky, Forrester’s work directly impacted generations of sculptors and artists. His frequent sabbaticals and residencies in Europe, the Middle East and the Americas provided him inspiration for his life-long creativity. In 1998, Forrester and his wife, Dorothy, moved to East Nashville, where he maintained a studio up until his death in 2010. The late artist’s sculptures have been exhibited nationwide, receiving numerous awards. Some of Forrester’s more notable public artwork was commissioned by the Chamber of Commerce, Springfield, Oregon; Medford, Oregon public parks; Shakespeare Memorial Theater in Ashland, Oregon; the Bundy Art Museum, Waitsfield, Vermont; Broughton High School, Salford, England; Bowling Green-Warren County, Kentucky Hospital; and Northern Telecom, Nashville, Tennessee Additional contributors to the book are: John Forrester, son of Charles Forrester, Rome, Italy; Russ Faxon, sculptor, Bell Buckle, TN; Caroline Phillips, Jordan Schnitzer Museum of Art, University of Oregon; Sam Hunt, Adjunct Professor of Art, Western Kentucky University.

A retrospective on the life and work of artist Charles H. Forrester, whose six-decades worth of art seeks to reveal a man and a mind in constant motion. Each page will give new insight to thought and creativity from the hands of a prolific sculptor. A Mind in Motion: The Art of Charles H. Forrester offers an in-depth guide into the mind and artistic legacy of the artist. Curated by Forrester's daughter, Winifred, the book tastefully exhibits his collection of sculptures, now on display across the world. The book takes readers through his journals, drawings, and sculptures to reveal his steady pursuits in linking desires, memories, experiences, and knowledge. Readers will see in more than eighty photographs covering ten distinct groups of his work, how Forrester consistently pushed himself in the exploration of various mediums. His mastery of each medium displayed an uncanny ability to create remarkably realistic details that were at once exceptionally stylized and abstracted. The late artist's sculptures have been shown in many regional and national exhibits, receiving numerous awards. Forrester's more notable commissions included: The Springfield and Medford, Oregon public parks Broughton School in England Gray Construction Lilly Corporation The Shakespeare Memorial Theater in Oregon Bowling Green-Warren County, Kentucky Hospital J.P. Matthews & Co. The Bundy Art Museum in Vermont A Mind in Motion offers a unique perspective by showcasing Forrester's process from idea to creation. Forrester and his work impacted generations of sculptors and artists. Through this book, artists around the world are able to connect to Charles through "an unbroken line".

A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.

A groundbreaking look at marriage, one of the most basic and universal of all human institutions, which reveals the emotional, physical, economic, and sexual benefits that marriage brings to individuals and society as a whole. The Case for Marriage is a critically important intervention in the national debate about the future of family. Based on the authoritative research of family sociologist Linda J. Waite, journalist Maggie Gallagher, and a number of other scholars, this book’s findings dramatically contradict the anti-marriage myths that have become the common sense of most Americans. Today a broad consensus holds that marriage is a bad deal for women, that divorce is better for children when parents are unhappy, and that marriage is essentially a private choice, not a public institution. Waite and Gallagher flatly contradict these assumptions, arguing instead that by a broad range of indices, marriage is actually better for you than being single or divorced– physically, materially, and spiritually. They contend that married people live longer, have better health, earn more money, accumulate more wealth, feel more fulfillment in their lives, enjoy more satisfying sexual relationships, and have happier and more successful children than those who remain single, cohabit, or get divorced. The Case for Marriage combines clearheaded analysis, penetrating cultural criticism, and practical advice for strengthening the institution of marriage, and provides clear, essential guidelines for reestablishing marriage as the foundation for a healthy and happy society. “A compelling defense of a sacred union. The Case for Marriage is well written and well argued, empirically rigorous and learned, practical and commonsensical.” -- William J. Bennett, author of The Book of Virtues “Makes the absolutely critical point that marriage has been misrepresented and misunderstood.” -- The Wall Street Journal www.broadwaybooks.com

Out of Control chronicles the dawn of a new era in which the machines and systems that drive our economy are so complex and autonomous as to be indistinguishable from living things.