In this legal thriller from the New York Times–bestselling author of Against the Wind, breaking into a mansion for a laugh turns into a sobering crime. Maria Estrada, a hard-partying girl with family ties to some of the toughest gangsters in California, had no idea an old mansion could be so beautiful. The boy who broke into it with her had a feeling she might be impressed. But by the time the night is over, Maria has been brutally killed, and the boy is nowhere to be found. It’s up to PI Kate Blanchard and Luke Garrison, a criminal lawyer, to decipher what happened in the grand old mansion. To bring Maria’s killer to justice, they must locate the elusive connection between the poverty where she was raised and the affluence of where she died.

Set in Southern California, this legal thriller from Freedman (Against the Wind) opens with a brutal date rape and murder. After the victim's corpse is found on the grounds of the estate of Juanita McCoy, one of Santa Barbara's leading citizens, suspicion soon focuses on one of the few people to have access to the area, her hunky grandson, Steven McCoy. When Steven's prints are found on the murder weapon, he's charged, and the author's series characters, former DA Luke Garrison and single-mom PI Kate Blanchard, are enlisted in his defense. Readers expecting gripping courtroom scenes will feel cheated that the murder trial's highlights-the testimony of the accused and Garrison's summation-are disposed of in a few summary sentences.

Yea though I Walk through the Valley of the Shadow of Death had to be written. It is a heart-wrenching account of a woman’s road through her own personal anguish and back, one that could be written only by the person who experienced it. It describes how she lived through the death of her infant daughter, a fire that totally destroyed her home and its contents, the suicide of her 21-year-old son, the killing of her 25-year-old son, the subsequent trauma, called Post Traumatic Stress Disorder (PTSD) that followed, and her return to stability. Such a listing doesn’t capture Chris’s journey. Though not a professional writer, she has allowed us to enter her world, with all of its twists and turns, moments of sadness and despair, and finally, the peace that comes from emerging on the other side. She has a guileless honesty that won’t let you go. No doubt thousands of people have shared some of Chris’s experiences— few, if any, to her degree—but fewer still have her ability to capture that experience in a way that makes her experiences their own. Kevin Burne, Ph.D.

The Miami Valley of Ohio has a rich but gruesome and bloody history. In Dayton, Christine Kett murdered her daughter and confessed seventeen years later on her deathbed. William Fogwell of Beavercreek clung to life long enough to name his killer before he died. Joshua Monroe, a Yellow Springs man, killed his lover--also his sister-in-law--in a jealous rage. Reputed serial killer Oliver Crook Haugh was accused of murdering multiple women over several years, but he was ultimately convicted of killing "only" his family. Author and founder of the Dayton Unknown history blog Sara Kaushal uncovers the violent and horrific crimes of the past.

In 1988, shortly after moving from Sydney back to his birthplace in the rural New South Wales hamlet of Bunyah, Les Murray was struck with depression. In the months that followed, the "Black Dog" (as he calls it) ruled his life. He raged at his wife and children. He ducked a parking ticket on grounds of insanity, and begged a police officer to shoot him rather than arrest him. For days on end he lay in despair, a state in which, as he puts it precisely, "you feel beneath help." Killing the Black Dog is Murray's recollection of those awful days: brief, pointed, wise, and full of beauty in the way of his poetry. The prose text—delicately balanced between personal and informative—gives a glimpse of the imprint that depression can leave on a life. The accompanying poems show their roots in his crisis—a crisis from which, he reports toward the close of this poignant book, he has fully recovered. "My thinking is no longer jammed and sooty with resentment," he recalls. "I no longer wear only stretch-knit clothes and drawstring pants. I no longer come down with bouts of weeping or reasonless exhaustion. And I no longer seek rejection in a belief that only bitterly conceded praise is reliable." Killing the Black Dog is a crucial chapter in the life of an outstanding poet.

* “We see through this book the immense power of language…to change the minds of lawmakers and tourists alike.” —The New York Times Book Review * “A poignant portrait of an era when mere words could change the world.” —San Francisco Chronicle * The dramatic and uplifting story of legendary outdoorsman and conservationist John Muir’s journey to save Yosemite is “a rich, enjoyable excursion into a seminal period in environmental history” (The Wall Street Journal). In June of 1889 in San Francisco, John Muir—iconic environmentalist, writer, and philosopher—meets face-to-face for the first time with his longtime editor Robert Underwood Johnson, an elegant and influential figure at The Century magazine. Before long, the pair, opposites in many ways, decide to venture to Yosemite Valley, the magnificent site where twenty years earlier, Muir experienced a personal and spiritual awakening that would set the course of the rest of his life. Upon their arrival the men are confronted with a shocking vision, as predatory mining, tourism, and logging industries have plundered and defaced “the grandest of all the special temples of Nature.” While Muir is devastated, Johnson, an arbiter of the era’s pressing issues in the pages of the nation’s most prestigious magazine, decides that he and Muir must fight back. The pact they form marks a watershed moment, leading to the creation of Yosemite National Park, and launching an environmental battle that captivates the nation and ushers in the beginning of the American environmental movement. “Comprehensively researched and compellingly readable” (Booklist, starred review), Guardians of the Valley is a moving story of friendship, the written word, and the transformative power of nature. It is also a timely and powerful “origin story” as the towering environmental challenges we face today become increasingly urgent.