""Of all that has been written, or is to be written, by Americans concerning the tragedy overwhelming the Old World, much must naturally be descriptive of conditions in France, since that country is, among those affected by military occupation, most accessible and most closely in sympathy with American ideals and American history. Written in hours snatched for the task amid the press of other duties, these pages endeavor to present a simple, intimate and personal story of experiences enjoyed and impressions gained under most unusual circumstances and herein shared with my friends as one of the most interesting incidents of a long and busy life."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

""There have been many war books-a very deluge of literature in which thinking men have been hopelessly submerged-but most books of wartime reminiscences do not ring true. There is too obvious an attempt to be dramatic and sensational. This book avoids this error and its author has contented himself with telling in a simple and convincing manner something of the part which he was called upon to play."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

""These brief sketches are only fragmentary and have of necessity been hastily written. The writer has been asked to state his impression of the work among the men in France. He did not go there to write but to work. He has tried simply to state what he saw and to leave the reader to draw his own conclusions. A mere statement of the grim facts at the front, if they are not sugar-coated or glossed over, may not be pleasant reading, but it is unfair to those at home that they should not know the hard truth of the reality of things as they are."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

"These letters are in no sense a history-except that they contain the truth. They were written at the time and within close range of the events they describe. Half of the fighting, including the brave attack before Fromelles, is left untouched on, for these pages do not attempt to narrate the full story of the Australian Imperial Force in France. They were written to depict the surroundings in which, and the spirit with which, that history has been made; first in the quiet green Flemish lowlands, then with a swift, sudden plunge into the grim, reeking, naked desolation of the Somme." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

""The sources drawn upon in the following narrative are of various kinds: official communiques, French and foreign reports, etc. But the majority of our information was derived from private letters, collected by M. de Thezac, the modest and zealous founder of the Abris du Marin (Seamen's Shelters), from note-books kindly lent by their owners, and from oral inquiries addressed to the survivors of Melle and Dixmude. Whenever possible, we have let our correspondents speak for themselves. We regret that the strictest orders have compelled us to preserve their anonymity, which, however, we hope may be merely temporary."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context."

"The book is not intended in any way to be a literary effort. All that has been attempted has been a simple narrative of our doings for the use primarily of persons connected with the Battalion. My main endeavour throughout, has been to secure accuracy, but it will be understood that in sifting the mass of material placed at my disposal, errors may have crept in. I trust, however, that these are few." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.