In the most comprehensive account ever written of an American orphanage, an institution about which even its many new advocates and experts know little, Kenneth Cmiel exposes America's changing attitudes toward child welfare. The book begins with the fascinating history of the Chicago Nursery and Half-Orphan Asylum from 1860 through 1984, when it became a full-time research institute. Founded by a group of wealthy volunteers, the asylum was a Protestant institution for Protestant children—one of dozens around the country designed as places where single parents could leave their children if they were temporarily unable to care for them. But the asylum, which later became known as Chapin Hall, changed dramatically over the years as it tried to respond to changing policies, priorities, regulations, and theories concerning child welfare. Cmiel offers a vivid portrait of how these changes affected the day-to-day realities of group living. How did the kind of care given to the children change? What did the staff and management hope to accomplish? How did they define "family"? Who were the children who lived in the asylum? What brought them there? What were their needs? How did outside forces change what went on inside Chapin Hall? This is much more than a richly detailed account of one institution. Cmiel shatters a number of popular myths about orphanages. Few realize that almost all children living in nineteenth-century orphanages had at least one living parent. And the austere living conditions so characteristic of the orphanage were prompted as much by health concerns as by strict Victorian morals.

Six kids search for a new place to call home in this middle grade graphic novel debut by comic creators Cait May and Trevor Bream, for fans of Marvel’s Runaways and The Witch Boy by Molly Knox Ostertag. Another Kind is not your average monster story. Tucked away in a government facility nicknamed the Playroom, six not-quite-human kids learn to control their strange and unpredictable abilities. Life is good—or safe, at least—hidden from the prying eyes of a judgmental world. That is, until a security breach forces them out of their home and into the path of the Collector, a mysterious being with leech-like powers. Can the group band together to thwart the Collector’s devious plan, or will they wind up the newest addition to his collection? An ALSC Graphic Novel Reading List Title

In this stunning debut novel, two very different characters—a black boy who loses his home in Hurricane Katrina and a white boy in Vermont who loses his best friend in a tragic accident—come together to find healing. A hurricane, a tragic death, two boys, one marble. How they intertwine is at the heart of this beautiful, poignant book. When ten-year-old Zavion loses his home in Hurricane Katrina, he and his father are forced to flee to Baton Rouge. And when Henry, a ten-year-old boy in northern Vermont, tragically loses his best friend, Wayne, he flees to ravaged New Orleans to help with hurricane relief efforts—and to search for a marble that was in the pocket of a pair of jeans donated to the Red Cross. Rich with imagery and crackling with hope, this is the unforgettable story of how lives connect in unexpected, even magical, ways. “In Smith’s poetic hands, this poignant story barrels across the pages and into the reader’s heart, reminding us that magic can arise from the deepest tragedy.” —Kathi Appelt, Newbery Honor Award winner and two-time National Book Award Finalist

In this fiercely intelligent yet accessible book, one of the nation's leading sociologists and experts on race calls for "another kind of public education"--one that opens up more possibilities for democracy, and more powerful modes of participation for young people of color.

In this book Durrill describes in graphic detail the disintegration, during the Civil War, of Southern plantation society in a North Carolina coastal county. He details struggles among planters, slaves, yeoman farmers, and landless white laborers, as well as a guerrilla war and a clash between two armies that, in the end, destroyed all that remained of the county's social structure. He examines the failure of a planter-yeoman alliance, and discusses how yeoman farmers and landless white laborers allied themselves against planters, but to no avail. He also shows how slaves, when refugeed upcountry, tried unsuccessfully to reestablish their prerogatives--a subsistence, as well as protection from violence--owed them as a minimal condition of their servitude.

The American West in the early 1960s. Aspiring novelist Aaron Holland Broussard finds work on a farm and meets Joanne McDuffy, an articulate and fierce college student and gifted painter. Their soul connection is immediate, but their romance is complicated by Joanne's involvement with a shady professor who is mixed up with a drug-addled cult. When a sinister businessman and his son who wield their influence through vicious cruelty set their sights on Aaron, drawing him into an investigation of grotesque murders, it is clear that this idyllic landscape harbors tremendous power, and evil

When Mark borrows a copy of Great Expectations from the school library, he finds, concealed between two pages, an envelope containing three crisp one-hundred dollar bills. There is also a note mysterious but intriguing, that invites the finder to embark on a quests. If Mark can puzzle out the meaning of a series of enigmatic verse clues meant to lead him on a treasure hunt around his hometown of Pittsburgh, then, like Charles Dicken's Pip, he is promised a fortune. But he must follow certain rules - like working in absolute secrecy -- or the deal is off. Rewarded by gifts of money, Mark uses the clues to move from one strange Pittsburgh location to the next - an abandoned steel mill, an old astronomical observatory -- when suddenly the rules of the quest change...