This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Order of Preachers has famously bred some of the leading intellectual lights of the Middle Ages. While Dominican achievements in theology, philosophy, languages, law, and sciences have attracted much scholarly interest, their significant engagement with liturgy, the visual arts, and music remains relatively unexplored. These aspects and their manifold interconnections form the focal point of this interdisciplinary volume. The different chapters examine how early Dominicans positioned themselves and interacted with their local communities, where they drew their influences from, and what impact the new Order had on various aspects of medieval life. The contributors to this volume address issues as diverse as the making and illustrating of books, services for a king, the disposition of liturgical space, the creation of new liturgies, and a Dominican-made music treatise. In doing so, they seek to shed light on the actions and interactions of medieval Dominicans in the first centuries of the Order's existence.

The renewal in the Church's liturgical life effected by Pope Benedict XVI's Motu Proprio Summorum Pontificum has generated a great deal of interest, not only in the Traditional Roman Rite in Latin, but also in the revival of other western rites, both of provinces and of Religious Orders. The Dominican Rite is an ancient and venerable rite in the Western Church, and today is gaining renewed interest both from Dominicans attempting to recover their roots, as well as laity taking up the subject of liturgy. This reprint of Archdale A. King's study of the Dominican Liturgy traces the history and development of the rite, as well as the spirituality and rubrics. May this work assist those looking to recoup the tradition of Catholic worship passed on by the sons of St. Dominic for generations.

Histories of the German Dominican order have long presented a grand narrative of its origin, fall, and renewal: a Golden Age at the order's founding in the thirteenth century, a decline of Dominican learning and spirituality in the fourteenth, and a vibrant renewal of monastic devotion by Dominican "Observants" in the fifteenth. Dominican nuns are presumed to have moved through a parallel arc, losing their high level of literacy in Latin over the course of the fourteenth century. However, unlike the male Dominican friars, the nuns are thought never to have regained their Latinity, instead channeling their spiritual renewal into mystical experiences and vernacular devotional literature. In Ruling the Spirit, Claire Taylor Jones revises this conventional narrative by arguing for a continuous history of the nuns' liturgical piety. Dominican women did not lose their piety and literacy in the fifteenth century, as is commonly believed, but instead were urged to reframe their devotion around the observance of the Divine Office. Jones grounds her research in the fifteenth-century liturgical library of St. Katherine's in Nuremberg, which was reformed to Observance in 1428 and grew to be one of the most significant convents in Germany, not least for its library. Many of the manuscripts owned by the convent are didactic texts, written by friars for Dominican sisters from the fourteenth through the fifteenth century. With remarkable continuity across genres and centuries, this literature urges the Dominican nuns to resume enclosure in their convents and the strict observance of the Divine Office, and posits ecstatic experience as an incentive for such devotion. Jones thus rereads the "sisterbooks," vernacular narratives of Dominican women, long interpreted as evidence of mystical hysteria, as encouragement for nuns to maintain obedience to liturgical practice. She concludes that Observant friars viewed the Divine Office as the means by which Observant women would define their communities, reform the terms of Observant devotion, and carry the order into the future.

Bible Missals are manuscripts that integrate liturgical prayers for the Mass with the scriptural texts of the Latin Vulgate. Long overlooked by scholars, Bible Missals offer important evidence for the development of the medieval liturgy and the liturgical use of scripture by medieval Christians. This monograph is the first comprehensive analysis of the codicology and contents of Bible Missals. Mostly produced in the first half of the 13th century by professional book makers in centers like Paris and Oxford, these hybrid manuscripts were customized for secular, monastic, and mendicant patrons. This monograph focuses on Dominican Bible Missals, the largest group within the repertoire, providing detailed codicological descriptions of each manuscript and analyzing their texts for the Order of Mass and selected liturgical formularies, including prayers for the feast of St. Dominic. For medieval Christians, the words and events of scripture were continually called to mind and reenacted in the sacramental rites of the Mass. Bible Missals provide important material evidence for this interplay between word and sacrament.

An account of Dominican activities in England, Ireland, Scotland and Wales from their arrival in 1221 until their dissolution at the Reformation