A history of Ireland in 100 words has been shortlisted for 'best Irish-published book of the year' at the An Post Irish Book Awards 2019. November 2019. Did you know that Cú Chulainn was conceived with a thirst-quenching drink? That 'cluas', the modern Irish word for 'ear', also means the handle of a cup? That the Old Irish word for 'ring' may have inspired Tolkien's 'nazg'? How and why does the word for noble (saor) come to mean cheap? Why does a word that once meant law (cáin) now mean tax? And why are turkeys in Irish French birds? From murder to beekeeping and everything between, discover how the Irish ate, drank, dressed, loved and lied. This book tells a history of Ireland by looking at the development of 100 medieval Irish words drawn from the Royal Irish Academy's Dictionary of the Irish Language. Words tell stories and encapsulate histories and this book captures aspects of Ireland's changing history by examining the changing meaning of 100 key words. The book is aimed at a general readership and no prior knowledge of the Irish language is required to delve into the fascinating insights it provides. The book is divided into themes, including writing and literature; food and feasting; technology and science; mind and body. Readers can explore words relating to particular concepts, dipping in and out where they please.

This authoritative and comprehensive history of Ireland covers the entire history of the island from the Ice Age to the peace process in 100 short episodes. In this thoughtful analysis of Irish society, Bardon integrates the significant cultural and literary history of Ireland with its political and social past. Based on the hugely popular BBC radio series A Short History of Ireland, each episode stands alone, providing a snippet of Irish history in five minutes' reading. In turn, to read each episode in sequence from beginning to end provides a magisterial history of Europe's most western land.

This volume offers a comprehensive overview of the range of varieties of English spoken on the island of Ireland, featuring information on their historical background, structural features, and sociolinguistic considerations. The first part of the volume explores English and Irish in their historical framework as well as current issues of contact and bilingualism. Chapters in Part II and Part III investigate the structures and use of Irish English today, from pronunciation and grammar to discourse-pragmatic markers and politeness strategies, alongside studies of specific varieties such as Urban English in Northern Ireland and the Irish English spoken in Dublin, Galway, and Cork. Part IV focuses on the Irish diaspora, with chapters covering topics including Newfoundland Irish English and Irish influence on Australian English, while the final part looks at the wider context, such as the language of Irish Travellers and Irish Sign Language. The handbook also features a detailed glossary of key terms, and will be of interest to a wide range of readers interested in varieties of English, Irish studies, sociolinguistics, and social and cultural history.

Technology in Irish Literature and Culture shows how such significant technologies—typewriters, gramophones, print, radio, television, computers—have influenced Irish literary practices and cultural production, while also examining how technology has been embraced as a theme in Irish writing. Once a largely rural and agrarian society, contemporary Ireland has embraced the communicative, performative and consumptive habits of a culture utterly reliant on the digital. This text plumbs the origins of the present moment, examining the longer history of literature's interactions with the technological and exploring how the transformative capacity of modern technology has been mediated throughout a diverse national canon. Comprising essays from some of the major figures of Irish literary and cultural studies, this volume offers a wide-ranging, comprehensive account of how Irish literature and culture have interacted with technology.