'Gradually I forgot I was a foreigner.' Barbara Henderson has been Scottish by inclination for 30 years. She fell in love with Scotland and its people when she left Germany at the age of 19. Now a children's author, storyteller and teacher in the Highlands, she gives us a lively glimpse of Scotland through the eyes of an EU immigrant – from her first ceilidh to Brexit and the choppy seas of citizenship. Scottish by Inclination also celebrates the varied contributions of 30 remarkable Europeans – beer brewers, entrepreneurs, academics, artists and activists – who have chosen to call Scotland home. 'All voices matter and deserve to belong. Belonging is more than a privilege. Belonging, I am now convinced, can be a choice.'

"Superb.... A perceptive, suspenseful account." --The New York Times Book Review "Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston Herald The political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power. Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

Mary Queen of Scots (1542-1587) was active as monarch of Scotland for just six years between 1561 and 1567, but her impact as a ruler in Scotland is much less important than her subsequent role in popular culture and imagination. Her story has enjoyed perpetual retelling and reached a global audience over the past four and a half centuries. This collection surveys the exceptionally varied range of objects, literature, art and media that have been produced to commemorate Mary between her own time and the present day. Why is her story so enduring, pervasive, and of such interest to so many different audiences? How have the narratives associated with these objects evolved in response to shifting cultural attitudes? The collection offers a much-needed novel perspective on the Queen of Scots, using an approach at the intersection of early modern, gender and cultural history, museum and heritage studies, and memory studies.

This fascinating new study is about cultural change and continuities. At the core of the book are discrete literary studies of Scotland and Shakespeare, Walter Scott, R.L. Stevenson, Arthur Conan Doyle, the modern Scottish Renaissance of the 1920s and more recent cultural and literary phenomena. The central theme of literature and popular 'representation' recontextualises literary analysis in a broader, multi-faceted picture involving all the arts and the changing sense of what 'the popular' might be in a modern nation. New technologies alter forms of cultural production and the book charts a way through these forms, from oral poetry and song to the novel, and includes studies of paintings, classical music, socialist drama, TV, film and comic books. The international context for mass media cultural production is examined as the story of the intrinsic curiosity of the imagination and the intensely local aspect of Scotland's cultural self-representation unfolds.

Provides information on accommodations, restaurants, shopping, sights, and transporation in Scotland.

Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.

Rugged highlanders and beautiful lasses abound in A Fistful of Scots, the complete stunning Scottish historical romance series from New York Times bestselling author Suzanne Enoch, now in an amazingly low-priced ebook bundle. The Devil Wears Kilts On a mission to rescue his runaway sister from the lure of London flowery compliments and a useless lot of satin-clad scalawags disguised by their snooty titles, Ranulf MacLawry, Marquis of Glengask, has roared into British society like a storm across the Scottish Highlands. But he's about to find out that satin has its appeal, especially when it covers the curves of Miss Lady Charlotte Hanover, whose tongue is as sharp as her skin is soft... Rogue with a Brogue Stuck in a Mayfair ballroom thanks to his lovestruck brother, Hhighlander Arran MacLawry wants nothing but a bit of distraction from an arranged betrothal-and a clever auburn-haired lass in a vixen's mask promises just that...until he discovers that she's the granddaughter of the Campbell, chief of clan MacLawry's longtime rival. Despite their families' grudging truce, falling for fiery Mary Campbell is a notion too outlandish even for this Highlander...but yet he can’t get the bewitching lass out of his mind... Mad, Bad, and Dangerous in Plaid High-spirited Rowena MacLawry has returned cometo the Highlands after a spectacularly successful debut Season in London, and has made it painfully clear that she's outgrown her girlhood obsession with Lachlan MacTier. That's just fine with him, as he never had any intention of marrying the lass anyway! Yet how can he ignore the fact that the once rough and tumble Winnie has become a very fashionable-and incredibly desirable-young woman... Some Like It Scot When a mad lass in trousers shoots at him, Munro "Bear" MacLawry isn't sure what impresses him more-the girl's sure aim or her irresistibly tempting curves. Catriona MacColl has fled to the Highlands with her half-sister to escape an unwanted wedding, and wants no part of him, nor any man. But he can't abandon the flame-haired, sharp-tongued wildcat now that he's discovered her-not when she fits so perfectly in his arms...