The first detailed consideration of McKay's formative years, the themes and politics of his early poetry, and his pioneering use of Jamaican creole.

African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today

Since 1954, Japan has become home to a vibrant but little-known tradition of Black Studies. Transpacific Correspondence introduces this intellectual tradition to English-speaking audiences, placing it in the context of a long history of Afro-Asian solidarity and affirming its commitments to transnational inquiry and cosmopolitan exchange. More than six decades in the making, Japan’s Black Studies continues to shake up commonly held knowledge of Black history, culture, and literature and build a truly globalized field of Black Studies.

Creole Noise is a history of Creole, or 'dialect', literature and performance in the English-speaking Caribbean, from the late eighteenth century to the early twentieth century. By emphasizing multiracial origins, transnational influences, and musical performance alongside often violent historical events of the nineteenth century - slavery, Emancipation, the Morant Bay Rebellion, the era of blackface minstrelsy, indentureship and immigration - it revises the common view that literary dialect in the Caribbean was a relatively modern, twentieth-century phenomenon, associated with regional anti-colonial or black-affirming nationalist projects. It explores both the lives and the literary texts of a number of early progenitors, among these a number of pro-slavery white creoles as well as the first black author of literary dialect in the English-speaking Caribbean. Creole Noise features a number of fascinating historical characters, among these Henry Garland Murray, a black Jamaican journalist and lecturer; Michael McTurk, the white magistrate from British Guiana who, as 'Quow', authored one of the earliest books of dialect literature; as well as blackface comedian and calypsonian Sam Manning, who along with Marcus Garvey's ex-wife, Amy Ashwood Garvey, wrote a popular dialect play that traveled across the United States. In so doing it reconstructs an earlier period of dialect literature, usually isolated or dismissed from the cultural narrative as racist mimicry or merely political, not part of a continuum of artistic production in the Caribbean.

The African- Jamaican Aesthetics Cultural Retention and Transformation Across Borders centres on the use of African Jamaican Aesthetics in Jamaica’s literary traditions and its transformation and transmission in the diaspora.

Rosa Luxemburg is unquestionably the most important historical European woman Marxist theorist. Significantly, for the purpose of creolizing the canon, she considered her continent and the globe from an Eastern Europe that was in constant flux and turmoil. From this relatively peripheral location, she was far less parochial than many of her more centrally located interlocutors and peers. Indeed, Luxemburg’s work touched on all the burning issues of her time and ours, from analysis of concrete revolutionary struggles, such as those in Poland and Russia, to showing through her analysis of primitive accumulation that anti-capitalist and anti-colonial struggles had to be intertwined, to considerations of state sovereignty, democracy, feminism, and racism. She thereby offered reflections that can usefully be taken up and reworked by writers facing continuous and new challenges to undo relations of exploitation through radical economic and social transformation Luxemburg touches on all aspects of what constitutes revolution in her work; the authors of this volume show us that, by creolizing Luxemburg, we can open up new paths of understanding the complexities of revolution.

The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde – And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today’s world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theatre, performance, intermedia and music.