"A biography of Eliza Harriot Barons O'Connor, an educator whose 1787 Philadelphia public lecture attended by George Washington might have inspired the gender-neutral language of the Constitution. Explores women's public roles and political power following the American Revolution through the early nineteenth century, tracing the story of white and Black women's struggles for education and suffrage at a transformative moment"--

We tell girls that they can be anything, so why do 90 percent of Americans believe that geniuses are almost always men? New York Times bestselling journalist and creator and host of the podcast The Gratitude Diaries Janice Kaplan explores the powerful forces that have rigged the system—and celebrates the women geniuses, past and present, who have triumphed anyway. Even in this time of rethinking women’s roles, we define genius almost exclusively through male achievement. When asked to name a genius, people mention Albert Einstein, Leonardo da Vinci, and Steve Jobs. As for great women? In one survey, the only female genius anyone listed was Marie Curie. Janice Kaplan, the New York Times bestselling author of The Gratitude Diaries, set out to determine why the extraordinary work of so many women has been brushed aside. Using her unique mix of memoir, narrative, and inspiration, she makes surprising discoveries about women geniuses now and throughout history, in fields from music to robotics. Through interviews with neuroscientists, psychologists, and dozens of women geniuses at work in the world today—including Nobel Prize winner Frances Arnold and AI expert Fei-Fei Li—she proves that genius isn't just about talent. It's about having that talent recognized, nurtured, and celebrated. Across the generations, even when they face less-than-perfect circumstances, women geniuses have created brilliant and original work. In The Genius of Women, you’ll learn how they ignored obstacles and broke down seemingly unshakable barriers. The geniuses in this moving, powerful, and very entertaining book provide more than inspiration—they offer a clear blueprint to everyone who wants to find her own path and move forward with passion.

Ada Lovelace was the only legitimate child of Lord Byron, the dangerous romantice poet whose name became a byword for scandal. Over the past decades, she herself has become a surprising underground star for digital pioneers all over the world, starting with Alan Turing. Embraced by programmers and women intechnology, Ada even has her own day that is commemorated every year on Google's search engine.

The much-awaited sequel to Landrum's Profiles of Genuis offers discussions of the elements that gave 13 extraordinary women--Mary Kay Ash, Margaret Thatcher, Estee Lauder, Maria Callas, and Jane Fonda, among others--the visionary perspective, operating style, and energy to achieve the edge over their competitors.

Discovering the Feminine Genius presents a framework in which women can discover and understand their human and spiritual journey as a daughter of God, a woman, a unique individual, and spouse of the Spirit. Katrina Zeno, renowned speaker on the theology of the body, explores the role of women in our complex world and explains the concept of the feminine genius.

Seminar paper from the year 2010 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, ...), grade: 1,0, University of Vienna (Philosophie), course: Feministische sthetik, language: English, abstract: In the following paper I am going to present Christine Battersby's text Gender and Genius, her methodes and goals, occuring critics and problems. The main problem is the question: Do we need the concept of a female genius? After Battersby's historical research about the concept of the male genius in history (especially in the history of art and literature) she points out, that she wants to invent a new concept of genius. After her demonstration that genius had definitly a clear male connotation, she doest't want to skip the notion genius but she wants to redefine it. She wants to invent the concept of a female genius. In paragraphe 2 I am going to point out some results of Battersby's work, that show why women were excluded for such a long time from any form of art production. In paragraphe 3 I try to explain with Battersby how and why women accepted this exclusion sometimes and how they tried to resist and to fight back this kind of misogyny. Paragraphe 4 should answer the question why Battersby's new concept of genius is called a female genius, while paragraphe 5 wants to bring in some arguments against the separation and categorization into female/feminine and male/masculine concept. The last paragraphe contains also a very short conclusion and my own point of view.