It’s easy to be overlooked in Gilded Age Manhattan, but the Ella Shane Opera Company’s latest premier manages to attract adoring crowds, rave reviews, and a killer who’s a real showstopper! New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV’s two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It’s not until players take their bows that the worst kind of disaster strikes . . . Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can’t be so certain Albert is the one who belongs behind bars . . . Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?

During the first winter of the twentieth century, Gilded Age trouser diva Ella Shane refuses to dim the lights on her dazzling show business career for marriage—even to a dashing British duke. But the versatile mezzo-soprano may have to put it all on the line once murder takes centerstage . . . New York City, 1900. Renowned opera singer and theatre company owner Ella may have both much to gain and much to lose by getting engaged to her courtly long-distance love, Gil Saint Auburn. But there’s little time for romance or resolutions with Gil’s aristocratic mother and aunts visiting Greenwich Village—especially when the ladies discover a dead man in the bathtub of their hotel suite. The victim’s disturbing background and subsequent demise at the elegant Waverly Place Hotel leave the group puzzled beyond the obvious certainty of an unnatural death. Adding to the confusion and mounting fear, danger explodes through Ella’s close-knit circle after a friend makes a stunning confession and Gil becomes a fresh target for violence. Now, with a London tour run fast approaching, prenuptial worries weighing heavily on her heart, and an intricate Joan of Arc aria to rehearse, can Ella decide what she’s willing to sacrifice before confronting a relentless criminal bent on watching her entire life go up in smoke?

On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder? New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming “trouser roles”—male characters played by women—and captivating audiences far and wide with her travelling theatre company. But Ella’s flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini’s I Capuleti e i Montecchi. Weeks after the woman’s death is ruled a tragic accident, a mysterious English duke arrives in Greenwich Village on a mission. He’s certain someone is getting away with murder, and the refined aristocrat won’t travel back across the Atlantic until Ella helps him expose the truth. As Ella finds herself caught between her craft and a growing infatuation with her dashing new acquaintance, she’s determined to decode the dark secrets surrounding her co-star’s fatale finale—before the lights go dark and the culprit appears for an encore . . . [Author Photo] Kathleen Marple Kalb lives with her family in Cheshire, Connecticut. She’s currently a weekend morning anchor at New York's 1010WINS Radio, capping a career she began as a teenage DJ in rural Western Pennsylvania. She’s currently working on the next Ella Shane historical mystery. Visit us at www.kensingtonbooks.com

Don’t miss Faith Martin’s fiendishly clever new novel, Murder by Candlelight, set in the 1920s and described as ‘the perfect village mystery’ by J.M. Hall ‘A brilliant book! The pairing of Ryder and Loveday is a stroke of genius.’ Clare Chase, author of the Eve Mallow and Tara Thorpe mysteries

Kathleen Marple Kalb debuts with the first book in a new historical mystery series set in Gilded Age New York and following the adventures of swashbuckling opera singer Ella Shane, an Irish-Jewish Lower East Side orphan who finds fame and fortune singing male "trouser roles." On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder? New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"--male characters played by women--and captivating audiences far and wide with her travelling theatre company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi. Weeks after the woman's death is ruled a tragic accident, a mysterious English duke arrives in Greenwich Village on a mission. He's certain someone is getting away with murder, and the refined aristocrat won't travel back across the Atlantic until Ella helps him expose the truth. As Ella finds herself caught between her craft and a growing infatuation with her dashing new acquaintance, she's determined to decode the dark secrets surrounding her co-star's fatale finale--before the lights go dark and the culprit appears for an encore...

NEW YORK TIMES BESTSELLER • The award-winning book that inspired an Apple Original series from Apple TV+ • A landmark investigation of patient deaths at a New Orleans hospital ravaged by Hurricane Katrina—and the suspenseful portrayal of the quest for truth and justice—from a Pulitzer Prize–winning physician and reporter “An amazing tale, as inexorable as a Greek tragedy and as gripping as a whodunit.”—Dallas Morning News After Hurricane Katrina struck and power failed, amid rising floodwaters and heat, exhausted staff at Memorial Medical Center designated certain patients last for rescue. Months later, a doctor and two nurses were arrested and accused of injecting some of those patients with life-ending drugs. Five Days at Memorial, the culmination of six years of reporting by Pulitzer Prize winner Sheri Fink, unspools the mystery, bringing us inside a hospital fighting for its life and into the most charged questions in health care: which patients should be prioritized, and can health care professionals ever be excused for hastening death? Transforming our understanding of human nature in crisis, Five Days at Memorial exposes the hidden dilemmas of end-of-life care and reveals how ill-prepared we are for large-scale disasters—and how we can do better. ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times Book Review • ONE OF THE BEST BOOKS OF THE YEAR: Chicago Tribune, Seattle Times, Entertainment Weekly, Christian Science Monitor, Kansas City Star WINNER: National Book Critics Circle Award, J. Anthony Lukas Book Prize, PEN/John Kenneth Galbraith Award, Los Angeles Times Book Prize, Ridenhour Book Prize, American Medical Writers Association Medical Book Award, National Association of Science Writers Science in Society Award

With a killer on the loose, it’s the worst time to be on lockdown… It’s another day at the office for Washington Metro Police Lieutenant Sam Holland when a body surfaces off the shores of the Anacostia River. Before Sam can sink her teeth into the new case, Secret Service agents seize her from the crime scene. A threat has been made against her family, and nobody will tell her anything—including the whereabouts of her husband, Vice President Nick Cappuano. This isn’t the first time the couple’s lives have been at risk, but when a bombshell from Sam’s past returns to haunt her, she can’t help but wonder if there’s a connection. With a ruthless killer out for vengeance, and Nick struggling to maintain his reputation after secrets from his own past are revealed, Sam tries to tie the threat to a murder that can’t possibly be a coincidence. And she has to get it done before her husband’s career is irrevocably damaged…