In this installment of the beloved Isabel Dalhousie series, Isabel is called upon to navigate complex social situations both at home and in her community. A new baby brings an abundance of joy to Isabel and her husband, Jamie—but almost-four-year-old Charlie refuses to acknowledge Magnus, and Isabel struggles to impress upon her older son the patience and understanding that have guided her throughout her own life. These are the very qualities that bring Bea Shandon, an old acquaintance, to seek Isabel’s help. Something of a matchmaker, Bea has introduced a wealthy female friend to a cosmetic surgeon, but soon uncovers information leading her to doubt his motives. Isabel agrees to find out more, but as her enquiries take an unexpected turn, she starts to wonder whom exactly she should be investigating. As ever, Isabel’s intelligence, wit, and empathy come to her aid as she grapples with issues like friendship and its duties, the obligation of truthfulness, and the importance of perspective.

Recently distracted by the arrival of her and Jamie's second son, Magnus, Isabel Dalhousie, editor of the Review of Applied Ethics, has a lot to worry about, including the delayed next issue. It is with some relief, therefore, that she returns to helping out at her niece Cat's delicatessen, where surely the most taxing duty is the preparation of sandwiches. But it's not long before she's drawn into customers' problems, specifically that of ambitious self-proclaimed matchmaker Bea Shandon. Bea has staged a potentially dangerous liaison involving enigmatic plastic surgeon Tony MacUspaig, who may not be quite what he claims. Intrigued, Isabel dives into the mystery. And when the truth finally reveals itself, she must conclude that no one, including herself, is immune to misunderstandings, or the neurotic fantasies that arise from keeping secrets ...

The delightful second installment in Alexander McCall Smith’s already hugely popular new detective series, The Sunday Philosophy Club, starring the irrepressibly curious Isabel Dalhousie — editor of the Journal of Applied Ethics — and her no-nonsense housekeeper, Grace. When Isabel’s niece, Cat, asks Isabel to run her delicatessen while she attends a wedding in Italy, Isabel meets a man with a most interesting problem. He recently had a heart transplant, and is suddenly plagued with memories of events that never happened to him. The situation appeals to Isabel as a philosophical question. Is the heart truly the seat of the soul? And it piques her insatiable curiosity: could the memories be connected with the donor’s demise? Grace, of course, thinks it is none of Isabel’s business. Add to the mix the lothario Cat brings home from the wedding in Italy, who, in accordance with all that Isabel knows about lotharios, shouldn’t be trusted . . . but goodness, he is charming. That makes two mysteries of the heart to be solved — just the thing for Isabel Dalhousie.

“More convincingly than any other woman writing in Arabic today, Alifa Rifaat lifts the veil on what it means to be a woman living within a traditional Muslim society.” So states the translator’s foreword to this collection of the Egyptian author’s best short stories. Rifaat (1930–1996) did not go to university, spoke only Arabic, and seldom traveled abroad. This virtual immunity from Western influence lends a special authenticity to her direct yet sincere accounts of death, sexual fulfillment, the lives of women in purdah, and the frustrations of everyday life in a male-dominated Islamic environment. Translated from the Arabic by Denys Johnson-Davies, the collection admits the reader into a hidden private world, regulated by the call of the mosque, but often full of profound anguish and personal isolation. Badriyya’s despairing anger at her deceitful husband, for example, or the haunting melancholy of “At the Time of the Jasmine,” are treated with a sensitivity to the discipline and order of Islam.

ISABEL DALHOUSIE - Book 1 Nothing captures the charm of Edinburgh like the bestselling Isabel Dalhousie series of novels featuring the insatiably curious philosopher and woman detective. Whether investigating a case or a problem of philosophy, the indefatigable Isabel Dalhousie, one of fiction’s most richly developed amateur detectives, is always ready to pursue the answers to all of life’s questions, large and small. In this first installment, Isabel is attending a concert in the Usher Hall when she witnesses a man fall from the upper balcony. Isabel can’t help wondering whether it was the result of mischance or mischief. Against the best advice of her no-nonsense housekeeper Grace, her bassoon playing friend Jamie, and even her romantically challenged niece Cat, she is morally bound to solve this case. Complete with wonderful Edinburgh atmosphere and characters straight out of a Robert Burns poem, The Sunday Philosophy Club is a delightful treat from one of our most beloved authors.

Isabel finds herself entangled in some tricky familial and financial situations that will require all of her kindness, charm, and philosophical expertise to navigate. Just when Isabel and Jamie finally seem to have some time to connect and unwind, a wealthy Edinburgh resident reaches out to Isabel with an unusual request—he would like her to become the executor of his large Highland estate. Though Isabel initially demurs, he presses on. He has only a short time to live, and, without any direct heirs, is struggling to determine which of his three cousins would be the best caretaker. Should it go to the bohemian artist, the savvy city property developer, or the quiet, unassuming bachelor? As if this weren’t enough to keep Isabel occupied, she’s also spending more time helping her niece Cat at the deli. Cat, perennially unlucky in love, seems to have finally found her match in the leonine Leo. But Isabel is beginning to suspect that Leo might be interested in more than Cat’s charms, namely her access to the family trust. Isabel will need to rely upon remarkable reserves of intelligence and compassion in order to give all parties exactly what they want and deserve—no more, and no less.

A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary