“A villain so unique, he gave me nightmares and fantasies.” —Jeaniene Frost When it comes to bad boys, no one beats Sammy Divine (a.k.a. Satan, Lucifer, Scratch). But whatever name he cares to go by, Sammy is one sexy devil—as New York Times bestselling RITA Award winner Terri Garey so delectably demonstrates in A Devil Named Desire. Sammy’s second unforgettable appearance—after Devil Without a Cause—is tasty, tempting, and hotter than hell, as the irresistible Prince of Darkness sets out to prove to his archangel friend Gabriel that forbidden fruit, in the form of a beautiful woman, is impossible to resist. Garey delivers dark, edgy, wickedly wonderful paranormal fun that fans of Mary Janice Davidson and the Sookie Stackhouse novels of Charlaine Harris might eagerly sell their souls for.

NOTHING IS MORE INTOXICATING Reynaud St. Aubyn has spent the last seven years in hellish captivity. Now half mad with fever he bursts into his ancestral home and demands his due. Can this wild-looking man truly be the last earl's heir, thought murdered by Indians years ago? OR DANGEROUS Beatrice Corning, the niece of the present earl, is a proper English miss. But she has a secret: No real man has ever excited her more than the handsome youth in the portrait in her uncle's home. Suddenly, that very man is here, in the flesh-and luring her into his bed. THAN SURRENDERING TO A DEVIL. Only Beatrice can see past Reynaud's savagery to the noble man inside. For his part, Reynaud is drawn to this lovely lady, even as he is suspicious of her loyalty to her uncle. But can Beatrice's love tame a man who will stop at nothing to regain his title-even if it means sacrificing her innocence?

This book is William's symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials to assassination plots directed against those who won't play the game, to attempted coups by right-wing zealots.

THE STORY: The play reveals to the very depths the character of Blanche du Bois, a woman whose life has been undermined by her romantic illusions, which lead her to reject--so far as possible--the realities of life with which she is faced and which s

One of the most important plays of the twentieth century, A Streetcar Named Desire revolutionised the modern stage. This book offers the first continuous history of the play in production from 1947 to 1998 with an emphasis on the collaborative achievement of Tennessee Williams, Elia Kazan, and Jo Mielziner in the Broadway premiere. From there chapters survey major national premieres by the world's leading directors including those by Seki Sano (Mexico), Luchino Visconti (Italy), Ingmar Bergman (Sweden), Jean Cocteau (France ) and Laurence Olivier (England). Philip Kolin also evaluates key English-language revivals and assesses how the script evolved and adapted to cultural changes. Interpretations by Black and gay theatre companies also receive analyses and transformations into other media, such as ballet, film, television, and opera (premiered in 1998) form an important part of the overall study.

Bestselling author Treasure E. Blue returns with a gritty against-all-odds urban fairy tale set in the same unforgiving neighborhood as that of his breakout debut novel Harlem Girl Lost. Desire was born on the streets of Harlem–literally. Her mom, a crack-addicted prostitute, delivered her on a bitter winter’s night after turning a trick and being brutally beaten by the john. Taken from her mother by the state, Desire grows up unwelcoming foster homes, until a local Good Samaritan takes her in. With Miss Hattie Mae’s love and Christian guidance, Desire gains confidence, joins the church choir, and discovers that she’s got a set of pipes–which soon attract the attention of hip-hop’s biggest exec. But the road to superstardom is paved with dangers and temptations: drugged-out, violent rappers, untrustworthy pro athletes promising romance, and vicious drugs. Despite her phenomenal success and Miss Hattie Mae’s kindness, Desire seems destined for a fall from the top that will slam her back onto the pavement where her mama left her–until an unexpected angel picks her back up. . . .

A rollicking illustrated history of alcohol and its literary imbibers, from Jane Austen’s beer brewing to James Joyce’s passion for Guinness to E.B. White’s cure for writers’ block—a dry martini—by celebrated illustrator Greg Clarke and award-winning editor/art director Monte Beauchamp. “The tools that I need for my trade are simply pen, paper, food, tobacco, and a little whiskey.” —William Faulkner “I keep a dictionary, a Bible, a deck of cards and a bottle of sherry in the room.” —Maya Angelou “A writer who drinks carefully is probably a better writer.” —Stephen King Throughout history, there has been no greater catalyst for creativity among writers, so they claim, than a good, stiff drink. In this graphic volume, the authors take us on an unforgettable literary bar crawl, packed with historical factoids, anecdotes, booze trivia, and fascinating detours into the lives of our favorite writers, along with literary-themed cocktail recipes such as Ernest Hemingway’s Death in the Afternoon and Philip Larkin’s Gin and Tonic set to verse. For the literary-minded drinker, whether wine, gin, vodka, beer, whiskey, or tequila is your elixir of choice, A Sidecar Named Desire will whet your appetite. Bottoms up!