When a glamorous literary agent falls prey to a violent stalker, she discovers that the publishing biz can really be murder, for fans of The Spellman Files and Maisie Dobbs “Suspenseful . . . Barbara Rogan cleverly explores . . . our capacity for self-deception and weaves it into an absorbing mystery that keeps its secret until the very end.” —NPR Jo Donovan always manages to come out on top. Originally from the backwoods of Appalachia, she forged a hard path to elegant lunches and parties among New York City’s literati. At thirty-five, she’s the widow of the renowned novelist (and notorious playboy) Hugo Donovan, the owner of one of the best literary agencies in town, and is one of the most sought-after agents in the business. But all this is about to fall apart, as a would-be client turns stalker, a hack shops around a proposal for an unauthorized tell-all biography of Hugo, and a handsome old flame shows up without warning. Both a seasoned author and a former literary agent herself, Barbara Rogan knows the publishing world from all angles. Fans of Lisa Lutz and Jaqueline Winspear will adore Jo Donovan and Rogan’s wickedly sharp tale that skewers the dangerous fictions we read—and the dangerous fictions we tell ourselves.

Maisie 'Danger' Brown needs excitement. When she wins a harmless-sounding competition to go to astronaut boot camp, that's exactly what she gets . . . But she never imagined it would feature stumbling into a terrifying plot that kills her friends and might just kill her too. Now there's no going back. Maisie has to live by her middle name if she wants to survive – and she'll need to be equally courageous to untangle the romance in her life too. A clever, suspenseful thriller-adventure by New York Times bestselling author and master storyteller Shannon Hale.

Long before clinch covers and bodice rippers, romance novels had a bad reputation as the lowbrow lit of desperate housewives and hopeless spinsters. But why were these books-the escape and entertainment of choice for millions of women-singled out for scorn and shame? Dangerous Books for Girls examines the secret history of the genre's bad reputation-from the "damned mob of scribbling women" in the nineteenth century to the sexy mass-market paperbacks of the twentieth century-and shows how romance novels have inspired and empowered generations of women to dream big, refuse to settle, and believe they're worth it. For every woman who has ever hidden the cover of a romance-and every woman who has been curious about those "Fabio books"-Dangerous Books For Girls shows why there's no room for guilt when reading for pleasure.

NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.

IF YOU KNEW A BOOK WAS CURSED, WOULD YOU READ IT? When Ariel Manto uncovers a copy of The End of Mr Y in a second-hand bookshop, she can't believe her eyes. She's read about its author before, the outlandish Victorian scientist Thomas Lumas, and this is his most notorious, and rarest, book. It is also believed to hold a curse. Anyone who's ever read it, including Lumas, has disappeared without trace. With Mr Y under her arm, Ariel is thrust into an adventure of faith, physics, love, death, and everything in between. Part gothic mystery, part time-travelling love story, The End of Mr Y lies somewhere between Shadow of the Wind and Dr Who. Scarlett Thomas sends us on a wild and irresistible quest into our deepest selves and our biggest questions.

A brilliant new crime novel from the beloved, bestselling, and award-winning master of the genre, A Dangerous Man centers on Joe Pike's most perilous case to date. Joe Pike didn't expect to rescue a woman that day. He went to the bank same as anyone goes to the bank, and returned to his Jeep. So when Isabel Roland, the lonely young teller who helped him, steps out of the bank on her way to lunch, Joe is on hand when two men abduct her. Joe chases them down, and the two men are arrested. But instead of putting the drama to rest, the arrests are only the beginning of the trouble for Joe and Izzy. After posting bail, the two abductors are murdered and Izzy disappears. Pike calls on his friend, Elvis Cole, to help learn the truth. What Elvis uncovers is a twisted family story that involves corporate whistleblowing, huge amounts of cash, the Witness Relocation Program, and a long line of lies. But what of all that did Izzy know? Is she a perpetrator or a victim? And how far will Joe go to find out?

Masculinity is one of the key issues at stake in contemporary writing and gender studies. In their novels, Michael Chabon and Tom Wolfe both consistently make masculinity a prominent thematic and ideological concern. This study is the first full length scholarly work to take their work and their treatment of masculinity as its focus. How do these American authors critique the representation of masculinity within popular culture in Wonder Boys, The Amazing Adventures of Kavalier & Clay and Summerland, A Man in Full and The Bonfire of the Vanities? How do popular images of masculinity function for individual men and the way they experience their masculinities? A Dangerous Fiction investigates the ways in which Chabon and Wolfe strip masculinity of any illusion of an essential nature and expose it as something highly culturally dependent and explains how these novels suggest to understand masculinity in the contemporary world.