There is no accolade or major mystery award that has not already been bestowed upon Lawrence Block. His acclaimed crime novels are asintelligent, provocative, and emotionally complex as they are nerve-tighteningly intense. And perhaps the most respected of his myriad works are the Matthew Scudder books -- masterworks of suspenseful invention featuring a remarkable protagonist rich in conscience and character, with all the flaws that his humanity entails. This is the detective novel as high art. A Dance At The Slaughterhouse In Matt Scudder's mind, money, power, and position elevate nobody above morality and the law. Now the ex-cop and unlicensed p.i. has been hired to prove that socialite Richard Thurman orchestrated the brutal murder of his beautiful, pregnant wife. During Scudder's hard drinking years, he left a piece of his soul on every seedy corner of the Big Apple. But this case is more depraved and more potentially devastating than anything he experienced while floundering in the urban depths. Because this investigation is leading Scudder on a frightening grand tour of New York's sex-for-sale underworld -- where an innocent young life is simply a commodity to be bought and perverted ... and then destroyed.

A successful socialite's beautiful wife was raped and murdered in her own home -- and Matt Scudder believes the victim's "grieving" husband was responsible for the outrage. But to prove it, the haunted p.i. must descend into the depths of New York's sex-for-sale underworld, where young lives are commodities to be bought, perverted...and destroyed.

In A Dance at the Slaughterhouse, private investigator Matthew Scudder is on the hunt for the rapist and killer of rich, beautiful Amanda Thurman. But when a snuff film involving a young homeless boy is discovered, the case becomes terrifyingly twisted. Somehow Scudder and his girlfriend Elaine must find the connection between the the two crimes and set a trap for the killer. From the Edgar Award-winning author of A Ticket to the Boneyard.

The story of Kurt Vonnegut and Slaughterhouse-Five, an enduring masterpiece on trauma and memory Kurt Vonnegut was twenty years old when he enlisted in the United States Army. Less than two years later, he was captured by the Germans in the single deadliest US engagement of the war, the Battle of the Bulge. He was taken to a POW camp, then transferred to a work camp near Dresden, and held in a slaughterhouse called Schlachthof Fünf where he survived the horrific firebombing that killed thousands and destroyed the city. To the millions of fans of Vonnegut’s great novel Slaughterhouse-Five, these details are familiar. They’re told by the book’s author/narrator, and experienced by his enduring character Billy Pilgrim, a war veteran who “has come unstuck in time.” Writing during the tumultuous days of the Vietnam conflict, with the novel, Vonnegut had, after more than two decades of struggle, taken trauma and created a work of art, one that still resonates today. In The Writer’s Crusade, author Tom Roston examines the connection between Vonnegut’s life and Slaughterhouse-Five. Did Vonnegut suffer from Post-Traumatic Stress Disorder? Did Billy Pilgrim? Roston probes Vonnegut’s work, his personal history, and discarded drafts of the novel, as well as original interviews with the writer’s family, friends, scholars, psychologists, and other novelists including Karl Marlantes, Kevin Powers, and Tim O’Brien. The Writer’s Crusade is a literary and biographical journey that asks fundamental questions about trauma, creativity, and the power of storytelling.