This volume, which is rooted in biogeophysical studies, addresses conceptions of political action in the Anthropocene and the tension between a desire to accomplish the Promethean project of modernity and a post-Promethean approach. This work explores the idea of ​​an anthropological mutation of political consolidation from a “post-Promethean togetherness”, to creating the capacity to act together. The political thinking of the human condition developed by Hannah Arendt is important here as a resource for thinking about humanity in terms of human adventure. This has three dimensions: hubris, the world and coexistence referring respectively to the logic of profit of the homo oeconomicus, the logic of responsibility of the homo collectivus and the logic of the hospitality of the homo religatus. The intellectual and political attitude outlined in this book is an extension of critical theory: the work also puts forward a critique of what poses a problem in our relationship to the world and suggests how to overcome it, the ultimate goal being social transformation. The author propose an uprising and an anthropological consolidation of politics based on the revitalization that is brought about by the sharing of a conviviality both between humans and with what is non-human. The identification of conviviality as an educational paradigm to survive the Anthropocene gives us the much needed reason for hope despite this heritage of the Anthropocene. In addition to Arendtian thinking, this critical theory for the Anthropocene draws on the political thinking of several contemporary authors including Maurice Bellet, Hartmut Rosa, Andreas Weber, Dominique Bourg, and Christian Arnsperger. This volume is of interest to researchers in the Anthropocene.

"A collection of essays by Timothy W. Luke discussing social and political issues related to ecology, environmentalism, ecocriticism, global climate change, and the Anthropocene"--

"A collection of essays by Timothy W. Luke discussing social and political issues related to ecology, environmentalism, ecocriticism, global climate change, and the Anthropocene"--

Freedom in the Anthropocene illuminates the Anthropocene from the perspective of critical theory. The authors contextualize our current ecological predicament by focusing on the issues of history and freedom and how they relate to our present inability to render environmental threats and degradation recognizable and surmountable.

In Molecular Red, McKenzie Wark creates philosophical tools for the Anthropocene, our new planetary epoch, in which human and natural forces are so entwined that the future of one determines that of the other. Wark explores the implications of Anthropocene through the story of two empires, the Soviet and then the American. The fall of the former prefigures that of the latter. From the ruins of these mighty histories, Wark salvages ideas to help us picture what kind of worlds collective labor might yet build. From the scientific pioneers who were trying to transform science during the Russia Revolution, to visionaries contemplating cyborg possibilities and science fiction dreams in late 20th century California, Molecular Red not only looks at the crisis of climate change that we face but also how we might be able to understand it, and how we might salvage some hope out of the wreckage.

Challenging the normalization of a capitalist reality in which environmental destruction and catastrophe have become 'second nature', Towards a Critical Theory of Nature offers a bold new theoretical understanding of the current crisis via the work of the Frankfurt School. Focusing on key notions of dialectics, natural history, and materialism, a critical theory of nature is outlined in favor of a more traditional Marxist theory of nature, albeit one which still builds on core Marxist concepts to confirm humanity's central place in manufacturing environmental misery. Pre-eminent thinkers of the Frankfurt school, including, Georg Lukács, Ernst Bloch, Theodor Adorno, and Alfred Schmidt, are highlighted for their potential to diagnose the interpenetration of capitalism and nature in a way that neither absolutizes nor obliterates the boundary between the social and natural. Further theoretical claims and practical consequences of a critical theory of nature challenge other contemporary theoretical approaches like eco-Marxism, social constructivism and new materialism, to situate it as the only approach with genuinely radical potential. The possibility of utopian idealism for understanding and responding to the current climate crisis is carefully measured against the dangers of false hope in setting out realistic goals for change. Environmental change in turn is seen through the prism of recent cultural currents and movements, situating the power of a critical theory of nature in relation to understandings of the Anthropocene; concepts of apocalypse, and postapocalypse. This book culminates in a powerful tool for an anti-capitalist critique of society's painfully extractive relationship to a deceptively abstracted natural world.

Art, Theory and Practice in the Anthropocene contributes to the growing literature on artistic responses to global climate change and its consequences. Designed to include multiple perspectives, it contains essays by thirteen art historians, art critics, curators, artists and educators, and offers different frameworks for talking about visual representation and the current environmental crisis. The anthology models a range of methodological approaches drawn from different disciplines, and contributes to an understanding of how artists and those writing about art construct narratives around the environment. The book is illustrated with examples of art by nearly thirty different contemporary artists.