Accompanying CD-ROM contains many of the figures [i.e. illustrative matter] from the book. These are more fully on p. vi-[vii].

Accompanying CD-ROM contains many of the figures [i.e. illustrative matter] from the book. These are more fully on p. vi-[vii].

This volume includes the editorial “The absconded subject of Pop,” by Thomas Crow; “Enlivening the soul in Chinese tombs,” by Wu Hung; “On the ‘true body’ of Huineng,” by Michele Matteini; “Apparition painting,” by Yukio Lippit; “Immanence out of sight,” by Joyce Cheng; “Absconding in plain sight,” by Roberta Bonetti; “Ancient Maya sculptures of Tikal, seen and unseen,” by Megan E. O’Neil; “Style and substance, or why the Cacaxtla paintings were buried,” by Claudia Brittenham; “The Parthenon frieze,” by Clemente Marconi; “Roma sotterranea and the biogenesis of New Jerusalem,” by Irina Oryshkevich; “Out of sight, yet still in place,” by Minou Schraven; “Behind closed doors,” by Melissa R. Katz; “Moving eyes,” by Bissera V. Pentcheva; “‘A secret kind of charm not to be expressed or discerned,’” by Rebecca Zorach; “Ivory towers,” by Richard Taws; “Boxed in,” by Miranda Lash; “A concrete experience of nothing,” by William S. Smith; “Believing in art,” by Irene V. Small; “Repositories of the unconditional,” by Gabriele Guercio; “From micro/macrocosm to the aesthetics of ruins and waste-bodies,” by Jeanette Zwingenberger; “Are shadows transparent?” by Roberto Casati; “Invisibility of the digital,” by Boris Groys; “Des formes et des catégories,” by Remo Guidieri; and “Further comments on ‘Absconding,’” by Francesco Pellizzi.

The Great Maya center of Tikal, in Guatemala, is famous for its well-preserved architecture. This book presents descriptions of nine structures that line the Plaza of the Seven Temples, which sits immediately west of the South Acropolis of Central Tikal. These structures were surveyed with little or no excavation as part of the Tikal Project Standing Architecture Survey. This report is the primary record of these structures in Tikal's urban landscape, and it provides clear, precise, and usable architectural analyses for Mayanists, archaeologists, art historians, architectural historians, urbanists, and those interested in construction techniques and in the uses of Maya buildings. University Museum monograph, 147

Tikal Report 22 presents the results of excavations carried out in residential group 7F-1 at Tikal in Guatemala during the 1957, 1963, and 1965 seasons. As with similar Tikal Reports (TR 19, TR 20A/20B, and TR 21), TR 22 is devoted to the presentation of detailed excavation data and analysis. In this case, the residential group presented may have been home to descendants of a ruler who died in the sixth century C.E.

A comprehensive series of reconstructed views rendered in colors approximating the original finishes of polished plaster and paint, with 42 different stages of development in three-dimensional form, show what the Acropolis looked like at various times from ca. 330 BCE to CE 600. On an accompanying CD-ROM 112 color plates include constructions of individual structures and some photos of Acropolis fabric at the time of excavation and consolidation. The text accompanying the color plates provides a rationale for the sequences illustrated and an interpretation of ancient Maya intentions in developing the architectural forms that were found, including ideas of rulership and monumental architecture. Content of this book's CD-ROM may be found online at this location: http://core.tdar.org/project/376585. University Museum Monograph, 128

David Freidel and Linda Schele’s monumental work A Forest of Kings: The Untold Story of the Ancient Maya (1990) offered an innovative, rigorous, and controversial approach to studying the ancient Maya, unifying archaeological, iconographic, and epigraphic data in a form accessible to both scholars and laypeople. Travis Stanton and Kathryn Brown’s A Forest of History: The Maya after the Emergence of Divine Kingship presents a collection of essays that critically engage with and build upon the lasting contributions A Forest of Kings made to Maya epigraphy, iconography, material culture, and history. These original papers present new, cutting-edge research focusing on the social changes leading up to the spread of divine kingship across the lowlands in the first part of the Early Classic. The contributors continue avenues of inquiry such as the timing of the Classic Maya collapse across the southern lowlands, the nature of Maya warfare, the notion of usurpation and “stranger-kings” in the Classic period, the social relationships between the ruler and elite of the Classic period Yaxchilán polity, and struggles for sociopolitical dominance among the later Classic period polities of Chichén Itzá, Cobá, and the Puuc kingdoms. Many of the interpretations and approaches in A Forest of Kings have withstood the test of time, while others have not; a complete understanding of the Classic Maya world is still developing. In A Forest of History recent discoveries are considered in the context of prior scholarship, illustrating both the progress the field has made in the past quarter century and the myriad questions that remain. The volume will be a significant contribution to the literature for students, scholars, and general readers interested in Mesoamerican and Maya archaeology. Contributors: Wendy Ashmore, Arlen F. Chase, Diane Z. Chase, Wilberth Cruz Alvarado, Arthur A. Demarest, Keith Eppich, David A. Freidel, Charles W. Golden, Stanley P. Guenter, Annabeth Headrick, Aline Magnoni, Joyce Marcus, Marilyn A. Masson, Damaris Menéndez, Susan Milbrath, Olivia C. Navarro-Farr, José Osorio León, Carlos Peraza Lope, Juan Carlos Pérez Calderón, Griselda Pérez Robles, Francisco Pérez Ruíz, Michelle Rich, Jeremy A. Sabloff, Andrew K. Scherer, Karl A. Taube