Named a best book of the year by NPR, Vogue, and the New York Times Book Review, the hilarious and profound new novel from National Book Award finalist Joshua Ferris is “a fine American novel about family, love, and a decent but flawed man trying to be better" (Stephen King). Someone is telling the story of the life of Charlie Barnes, and it doesn't appear to be going well. Too often divorced, discontent with life's compromises and in a house he hates, this lifelong schemer and eternal romantic would like out of his present circumstances and into the American dream. But when the twin calamities of the Great Recession and a cancer scare come along to compound his troubles, his dreams dwindle further, and an infinite past full of forking paths quickly tapers to a black dot. Then, against all odds, something goes right for a change: Charlie is granted a second act. With help from his storyteller son, he surveys the facts of his life and finds his true calling where he least expects it—in a sacrifice that redounds with selflessness and love—at last becoming the man his son always knew he could be. A Calling for Charlie Barnes is a profound and tender portrait of a man whose desperate need to be loved is his downfall, and a brutally funny account of how that love is ultimately earned. “A masterpiece that shines a revealing light on both family and fiction itself.” —Michael Schaub, NPR

Trop souvent divorcé, mécontent des compromis de la vie et habitant une maison qu’il exècre, Charlie Barnes doit bien l’admettre, depuis quelque temps, tout part à vau-l’eau. Et lorsque la Grande Récession et un cancer pointent conjointement leur nez, son rêve américain s’amenuise plus encore, et se réduit rapidement comme peau de chagrin. Puis, pour une fois, et contre toute attente, quelque chose se déroule comme prévu. Avec l’aide de son fils, Charlie passe en revue son existence et trouve sa véritable vocation là où il s’y attend le moins – dans le sacrifice, preuve d’altruisme et d’amour –, devenant enfin l’homme que ses enfants ont toujours su qu’il pouvait être. Traduit de l'anglais (américain) par Jean Esch

Lish MacPherson believes she is running from something - a job working for a corrupt firm that bilks seniors out of their estates. But she doesn’t realize that her arrival in the small town of Seven Springs may be a matter of destiny. Lish discovers that a new acquaintance - Noah - shares with her not only a common ancestry but also a common recurring dream about riding a stag to some unknown destination. Their dream is echoed by a legend that haunts the town and is retold to all comers by Lish’s new employer, Thalia Russo. With developers trying to take over land in Seven Springs, and Lish and Noah fighting to protect Thalia and her home, could it be more than a coincidence that the three were brought together at this critical time? Perhaps that is why all three can hear the distant yowling of a cat during the night.

A HILARIOUS SATIRE THAT SHOWS OFFICE DYNAMICS AT THEIR MOST PETTY AND PROFOUND FROM THE BOOKER PRIZE-SHORTLISTED AUTHOR, JOSHUA FERRIS They spend their days - and too many of their nights - at work. Away from friends and family, they share a stretch of stained carpet with a group of strangers they call colleagues. There's Chris, clinging to his ergonomic chair; Lynn, the boss, whose breast cancer everyone pretends not to talk about; Carl, secretly taking someone else's medication; Marcia, whose hair is stuck in the eighties; and Benny, who's just - well, just Benny. Amidst the boredom, redundancies, water cooler moments, meetings, flirtations and pure rage, life is happening, to their great surprise, all around them. Then We Came to the End is about sitting all morning next to someone you cross the road to avoid at lunch. It's the story of your life and mine. *Joshua Ferris' mind-blowing new book, A Calling for Charlie Barnes, is available to pre-order now.* 'Very funny, intense and exhilarating . . . For the first time in fiction, it has truly captured the way we work' The Times 'As dazzling as Franzen's The Corrections and as confident as Tartt's The Secret History . . . Exceptional, very funny' Daily Telegraph 'Slick, sophisticated and very funny, Ferris's cracking debut has modern Everyman fighting for his identity in an increasingly impersonal world' Daily Mail