When John Dkhar arrives at Kaizang Restaurant, Shillong, one cold November evening, he has no premonition that his life is about to change forever. A loner by nature, and the very epitome of culture and refinement, John comes across people he will soon be involved with in a deadly game of passion and hatred, trust and treachery: James Kharlukhi, tough and uncompromising, a leader born with a lust for danger; Jennifer D'Santos, companion to James, whose love for John can only lead to tragedy; Charlie, aloof, enigmatic, hounded by an ugly face which will lead him to murder; and Dor Kharkongor, ace archer, the spirit of the hills, caught between single-minded loyalty to James and paternal affection for John. Set against the lush landscape of Shillong, Dhruba Hazarika's tale of revenge and violence brilliantly evokes the sights and smells of north-east India while narrating a dynamic tale which addresses the universal themes of friendship, loyalty and the inherent loneliness of man.

Jongom, an unassuming scholar, spends his days in the world of books. Until, to his bewilderment, he is singled out by a dangerous rebel leader, Anjan Phukan, who wants him to write for the separatist cause. They are arrested without warning on their first meeting, and Anjan is shot dead trying to escape. Now Jongom is forced to escape from both the police and the rebels who hold him responsible for their leader’s death. He takes with him his loyal best friend, Pranab, and together they race through the lush Assamese countryside, facing the macabre world of north-east politics and discovering along the way a terrible secret that binds them together in ways they never thought possible. Addictive and gripping, Sons of Brahma is an enthralling Assam novel.

A 2022 Choice Reviews Outstanding Academic Title Environmental Postcolonialism: A Literary Response is an academic investigation of the environmental repercussions of colonial destruction. This volume addresses the complex interplay between postcolonialism and environmental discourse through literature produced in the ex-colonies. This literature is read from the standpoint of ex-colonies within their human and non-human context. The primary objective of this volume is to scrutinize environmental concerns in the light of postcolonial theory, and so it examines works of art from the twin perspective of eco-criticism and postcolonialism which illuminates and underscores how colonizers destroyed and interfered with both nature and culture. Through discussing the intersecting layers of ecocriticism and postcolonial criticism, the volume gestures to new directions and generates a hopeful vision of a decolonized world.

‘Absorbing, spare and often deeply moving.’—Ruskin Bond ‘Wild tales with a difference...Hazarika’s empathy with all creatures great and small comes through in these absorbing, spare and often deeply moving stories. Life in the forests and small towns of Assam is brought vividly to life by a gifted writer.’ –Ruskin Bond A hunt goes brutally wrong in the jungles of Karbi Anglong. A young magistrate on a police raid is saved from inhumanity by the sight of a hen and her chicks. A solitary bachelor brings home a pigeon and learns the pain of loving a wild thing. An egret visits a man on a moonlit night. Three schoolboys chance upon a leopard and her kill in the hills outside Guwahati. In lean, taut prose Dhruba Hazarika writes of moments when men encounter animals and the natural world—often, also the moments when they encounter themselves. These are poignant, memorable stories from a literary imagination of uncommon honesty and sophistication.

This multi-genre collection of chapters presents the dramatic transformation of English Studies in India since the early 1990s. It showcases the shift from the study of mainly British literature and language to a more versatile terrain of multilingualism, culture, performance, theory, and the literary Global South. Tracing this transition, the volume discusses themes like Indian literary history, postcolonial theory, post-pandemic challenges to literary studies, the state of Indian English drama, vernacular literature in English Studies and pedagogy, translations of feminist writers from South Asia, caste, and othering in literature, among other key themes. The volume, with contributions from eminent English Studies scholars, not only reflects the altered terrain of English Language and Literature in India but also invites readers to think about the transformative potential of the present juncture for both literary imagination and literary studies. This timely book, in honour of Professor GJV Prasad, will be of interest to scholars and researchers of English Studies, cultural studies, literature, comparative literature, translation studies, postcolonial studies, and critical theory.