Neither celebrity-gawk, “misery memoir,” nor confessional melodrama, A Berkshire Boyhood is more reminiscent of such memoirs as Tobias Wolff’s This Boy’s Life and Emily Fox Gordon’s Are You Happy? In fact, A Berkshire Boyhood will strike readers as a parallel universe to Gordon’s book, her own story of growing up in Williamstown, Massachusetts, as a privileged faculty brat and young girl in the 1950s. Berkshire Boyhood is a boy’s story of growing up from working class roots in that same place and time. It explores family troubles arising out of the wounds and separations of World War II, ethnic religiosity, and adolescent sexuality (1950s variety). Its deeper appeal comes from our curiosity about the 1950s and the Boomer generation, from the fraught relations between that generation and their parents, who fought WWII, from our interest in the influence of landscape on human development, and from a vision of post-war years as a decade seething with the anger and dissent of an incipient counterculture that would explode the sixties.

A Berkshire Boyhood: Neither celebrity-gawk, "misery memoir," nor confessional melodrama, A Berkshire Boyhood is more reminiscent of such memoirs as Tobias Wolff's This Boy's Life and Emily Fox Gordon's Are You Happy? In fact, A Berkshire Boyhood will strike readers as a parallel universe to Gordon's book, her own story of growing up in Williamstown, Massachusetts, as a privileged faculty brat and young girl in the 1950s. Berkshire Boyhood is a boy's story of growing up from working class roots in that same place and time. Although A Berkshire Boyhood explores family troubles arising out of the wounds and separations of World War II, ethnic religiosity, and adolescent sexuality (1950s variety), its deeper appeal comes from our curiosity about the 1950s and the Boomer generation, from the fraught relations between that generation and their parents who fought World War II, from our renewed interest in the influence of landscape on human development, and from a vision of the early post-war years as a decade seething with the anger and dissent of an incipient counterculture that would explode the sixties.

Morgan Bulkeley first saw the Berkshires on a golden fall day in 1928. A day's outing from school had brought him up Bear Mountain where he ate a sandwich while his eyes feasted on the natural beauty spread around him. He was fourteen and had fallen in love with a place. Seven years later, after college, leaving behind the hurly-burly of commercial life, he went to live Thoreau-like in a small cabin on the shores of Plantain Pond on Mount Washington.

No nostalgic tale of the good old days, Robert Peters’s recollections of his adolescence vividly evoke the Depression on a hardscrabble farm near Eagle River: Dad driving the Vilas County Relief truck, Lars the Swede freezing to death on his porch, the embarassment of graduation in a suit from welfare. The hard efforts to put fish and potatoes and blueberries on the table are punctuated by occasional pleasures: the Memorial Day celebration, swimming at Perch Lake, the county fair with Mother’s prizes for jam and the exotic delights of the midway. Peters’s clear-eyed memoir reveals a poet’s eye for rich and stark detail even as a boy of twelve. “Peters misses nothing, from the details of the town’s Fourth of July celebration to the cause and effect of a young cousin’s suicide to the calibrations of racism toward Indians that was so acceptable then. It is a fascinating, unsentimental look at a piece of our past.”—Margaret E. Guthrie, New York Times Book Review “It’s unlikely that any other contemporary poet and scholar as distinguished has risen from quite so humble beginnings as Robert Peters. Born and raised by semiliterate parents on a subsistence farm in northeastern Wisconsin, Peters lived harrowingly close to the eventual stuff of his poetry—the dependency of humans on animal lives, the inexplicable and ordinary heroism and baseness of people facing extreme conditions, the urgency of physical desire. . . . Sterling childhood memoirs.”—Booklist “Robert Peters has written a memoir exemplary because he insists on the specific, on the personal and the local. It is also enormously satisfying to read, and it is among the most authentic accounts of childhood and youth I know—a Wisconsin David Copperfield!”—Thom Gunn