With grim determination, Bryn steps into the gallery Archangel. After graduating from an arts university, Bryn has barely managed to make a living because her paintings keep getting turned down one after another by the galleries she’s approached. Even though this exhibition may be her last chance, she’s tried to stay away from this particular gallery because it is the one where Bryn’s father committed fraud five years ago. She had been in love with Gabriel, one of the gallery owners, yet he was the one who put her father in prison. Now she has changed her name, and she’s sure no one will recognize her… How can her plan go wrong?

Kiara has finally become a spellcaster, just like her game counterpart—only this time, she’s fighting for the heroes! But gaining the power to fight for her friends is only the start of her struggle. The pressure is on to lead the forces of Évrard to victory—and if the newfound responsibility wasn’t enough, she also has to grapple with the guilt of taking human lives on the battlefield. Meanwhile, what is she supposed to make of Reggie and Cain’s puzzling advances? Between her professional and personal life, Kiara has a lot on her plate.

David Becomes Goliath, Volume II of Hart’s multi-volume work, ZIONISM, THE REAL ENEMY OF THE JEWS, reveals in well-documented detail starting from 1948 how the assertion that Israel has lived in constant danger of annihilation, of the “driving into the sea” of its Jews, is little more than Zionist propaganda. What really was the case, after Israel unilaterally declared itself to be in existence, was that the Arab armies did not have the ability-neither the numbers nor the weapons-to defeat Israel’s forces. Despite some stupid Arab rhetoric to the contrary-a propaganda gift for Zionism of which it has made extensive and ongoing use-the Arab regimes had no intention of even trying to destroy Israel. They were quickly at one with Zionism and the major powers in wanting the Palestine file to remain closed after Israel’s first victory on the battlefield. There was not supposed to have been a regeneration of Palestinian nationalism: for them, Arafat’s real crime was making this happen. Here, too, is the riveting story of how Zionism, assisted by deluded British Prime Minister Eden and America’s hawks, conned the Western world into believing that Eygpt’s President Nasser was an enemy of the West when actually he was seeking an accommodation with Israel from almost his first days in power, and wanted more than anything else a relationship with America on equal terms with that of Israel. Hart also takes us inside the struggle of the first and last American president, Eisenhower, to attempt to contain Zionism, and President Kennedy’s unsuccessful attempt to prevent the Zionist state acquiring an atom bomb (an acquisition still unadmitted by either the US or Israel, to this very day). But most importantly, Volume II records a turning point: the story of the defeat of reason in Israel, with Ben-Gurion’s replacement of Israel’s second Prime Minister, Moshe Sharett, who in October 12, 1955 expressed in his diary this prescient fear for the future in view of the ongoing Zionist expansionism of his time: “What is our vision on this earth-war to the end of generations and life by the sword?”

In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

The Teenage Mutant Ninja Turtles begin their journey as a true team of brothers, although distance still remains between them. Meanwhile, Baxter Stockman and General Krang have largely kept to the shadows... until now! General Krang wants results and Baxter has a new invention to capture the Turtles before Krang comes to New York. Collects TEENAGE MUTANT NINJA TURTLES Issues #5-8.

God's servant offers you convenient commentary books, which are practical, concise, and relevant. The Giver of Truth Biblical Commentary books are intellectually stimulating and include all that expensive multivolume commentaries have to offer. The Giver of Truth Biblical Commentary books present each book of the Bible, chapter by chapter, with consideration of the King James Bible as the standard and credit given to references within the text, which allows you to examine your Bible within its historical background and customs. The Giver of Truth Biblical Commentary illuminates the Bible within its time and place, which affords doctrinal penetrating insight into the practical application of truth for everyday living. God's servant, former entrepreneur and educator, has devoted years of study to religious theology after completing graduate degrees from community college, business college, state college, state university, Christian college, Seminary Studies, and Christian Growth Plans. God's servant has written monographs for various churches, planned seminary classes, taught Bible classes, and serviced in the Church for years, and now writes in an easy to read manner for those who want to complement their religious conscience with a solid foundation of Christianity, which offers a real relationship with God.