The designer Bernd Kuchenbeiser loves books - some because of their content, some because of their appearance. His library expands constantly and not only for professional reasons; there are plenty of volumes he loves to have on his shelves simply because he finds them such beautifully designed objects. A "good book" and whatever it is that makes a book beautiful are not easy to define - the details of a design may well suit one book to perfection, but be very much out of place with another publication. A good book never wants to be left on the shelf - it needs to be read, examined, discussed, and it was with all of this in mind that the author launched his Website "A Good Book", where publications of many different genres are presented as if in an intimate diary, and discussed not only in terms of their content, but also in the context of their creative design, or the pleasures to be had from holding and examining them. He was quick to notice how many of these fine books had a simple design combination of black text on a white background. This observation is why 61 books with black type on white cover came into being as an "analog" selection from the website: each book here is presented with the cover, a bibliography and a short text, anecdote, or even a quotation to initiate discussion. Much care, effort and affection was lavished on compiling and designing a reader - this is an anthology which of course also references the black and white thematic focus. 61 books with black type on white cover is available in two sizes: a small reader in paperback format or as a large display volume with the covers in the original dimensions.

Awarded with the 15th ILAB Breslauer Prize for Bibliography 2010. This classic can be ranked among the well-known international standard works on the subject of bookbinding. The author, Dr. Jan Storm van Leeuwen, gives in this work an elaborate general historical introduction to his subject. It also contains a general introduction to each province, as they were known in the eigteenth century, and an extensive overall picture of the towns where luxury bindings were manufactured, describing the bookbinder's workshops and binderies of each town. The historical introduction is completed with a catalogue of the approximately 2000 relevant bindings in the collections of the Koninklijke Bibliotheek (National Library of the Netherlands) and its sister institution the Museum Meermanno-Westreenianum. About 1500 other bindings that the author studied over time in other collections are also described. But the most important feature of this work is that all (nearly 10.000) stamps on these bindings are represented by a picture. Never before so many bindings (3500) have been recorded, described and discussed in such detail and with the benefit of an established model and terminology. The print edition is available as a set of four volumes (9789061943693).

The election of Barack Obama gave political currency to the (white) idea that Americans now live in a post-racial society. But the persistence of racial profiling, economic inequality between blacks and whites, disproportionate numbers of black prisoners, and disparities in health and access to healthcare suggest there is more to the story. David H. Ikard addresses these issues in an effort to give voice to the challenges faced by most African Americans and to make legible the shifting discourse of white supremacist ideology—including post-racialism and colorblind politics—that frustrates black self-determination, agency, and empowerment in the 21st century. Ikard tackles these concerns from various perspectives, chief among them black feminism. He argues that all oppressions (of race, gender, class, sexual orientation) intersect and must be confronted to upset the status quo.

Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

This illustrated survey covers all known Johnny Gruelle published works, with over 400 illustrations, detailed bibliographic annotations, a complete price guide, and sections devoted to newspaper and magazine appearances, his book-length works, works inspired by Gruelle, and his creations.