An original exploration of the relationship between the Mughal emperor and his subjects in the space of the Mughal empire's capital, The King and the People overturns an axiomatic assumption in the history of premodern South Asia: that the urban masses were merely passive objects of rule and remained unable to express collective political aspirations until the coming of colonialism. Set in the Mughal capital of Shahjahanabad (Delhi) from its founding to Nadir Shah's devastating invasion of 1739, this book instead shows how the trends and events in the second half of the seventeenth century inadvertently set the stage for the emergence of the people as actors in a regime which saw them only as the ruled. Drawing on a wealth of sources from the seventeenth and eighteenth centuries, this book is the first comprehensive account of the dynamic relationship between ruling authority and its urban subjects in an era that until recently was seen as one of only decline. By placing ordinary people at the centre of its narrative, this wide-ranging work offers fresh perspectives on imperial sovereignty, on the rise of an urban culture of political satire, and on the place of the practices of faith in the work of everyday politics. It unveils a formerly invisible urban panorama of soldiers and poets, merchants and shoemakers, who lived and died in the shadow of the Red Fort during an era of both dizzying turmoil and heady possibilities. As much an account of politics and ideas as a history of the city and its people, this lively and lucid book will be equally of value for specialists, students, and lay readers interested in the lives and ambitions of the mass of ordinary inhabitants of India's historic capital three hundred years ago.

Syrian refugees are currently struggling to resume their lives far away from home. But even when confronting harsh conditions like those of life in a refugee camp or while missing family members left behind, a dish of home-cooked stuffed zucchinis can immediately elicit feelings of warmth and comfort and transform a foreign place into a welcoming home. This book is a collection of the recipes and stories that were shared with me by Syrians seeking asylum in Jordan during my time there.

Winner, 2023 New South Wales Premier's History Awards, General History Prize An imam banished from eastern Indonesia to the Cape of Good Hope in 1780 builds a new Muslim community with a mix of fellow exiles, enslaved people, and even the men tasked with supervising his detention. Nineteenth-century colonial chroniclers invent the legend of the “loyal Malay” warrior, whose anger can be tamed through the “mildness” of British rule. A Tunisian-born teacher who arrived in Java from Istanbul in the early twentieth century becomes an enterprising Arabic-language journalist caught between competing nationalisms. Telling these stories and many more, Michael Francis Laffan offers a sweeping exploration of two centuries of interactions among Muslim subjects of empires and future nation-states around the Indian Ocean world. Under Empire traces interlinked lives and journeys, examining engagements with Western, Islamic, and pan-Asian imperial formations to consider the possibilities for Muslims in an imperial age. It ranges from the dying era of the trading companies in the late eighteenth century through the period of Dutch and British colonial rule up to the rise of nationalist and cosmopolitan movements for social reform in the nineteenth and twentieth centuries. Laffan emphasizes how Indian Ocean Muslims by turns asserted loyalty to colonial states in pursuit of a measure of religious freedom or looked to the Ottoman Empire or Egypt in search of spiritual unity. Bringing the history of Southeast Asian Islam to African and South Asian shores, Under Empire is an expansive and inventive account of Muslim communal belonging on the world stage.

Mirza Asadullah Khan Ghalib was born in Agra in the closing years of the eighteenth century. He wrote in both Urdu and Persian and was also a great prose stylist. Ghalib fascinates his readers for many reasons, but one of the most noted qualities in Ghalib was that he was a careful, even strict, editor of his work. It is said that he discarded or disregarded more than half of his Urdu verses. These verses were forgotten for long, until as late as 1918, in the library of the princely state of Bhopal. In 1921, they were edited and published as a new Divan-e Ghalib. In Flowers in a Mirror, Mehr Afshan Farooqi continues her research in the strain of her first book, A Wilderness at My Doorstep. She examines Ghalib’s approach to his work, the world in which he lived and composed, and ultimately, his genius. She selects 30 ghazals from the rejected corpus, translates them into English and provides an erudite, sparkling critical commentary. Through this book, she highlights the significance of marginalized poetry and the need to reinstate the forgotten verses in our lives and hearts.

Words are prayerfully complaining about whose playful writing? Beautiful images are seen wrapped in paper clothing. This is the opening couplet of Ghalibs Divan and it captures his view of the badly broken world in which he lived and Gods indifference to human condition. The poet faces God and poses a question: Why did you create this universe? What was the purpose? If this is your creation, why do we have so much misery and suffering? Was this creation an act of playfulness or did it have a nobler purpose? People praying and pleading in front of the Creator with paper clothing covering their naked bodies is symbolic of their complete helplessness. In many ways, this sets the stage for Ghalibs struggle to make sense of reality and find a new rationale for our relationship with God.