Crown's third collection of great screenplays showcases the screenwriter's contribution to eight memorable films encompassing more than half a century of American cinema. Sam Thomas has written a major introduction and provided background information on each of the eight screenplays and their screenwriters.

Award-winning filmmaker Edward Burns is hardly an overnight success story. For four years, Burns wrote his own screenplays while he made a meager living working as a production assistant for a television show in New York City. Then on an extremely low budget - and shot mostly in his parents' Long Island home - Burns wrote, produced, directed, and starred in his brilliant first film, The Brothers McMullen, about three Irish-American brothers coping with life and love in the 1990s. The film won the Grand Jury Prize at the 1995 Sundance Film Festival, and Burn's career took off, bolstered the next year by the instant success of his second romantic comedy, She's the One. Now, to coincide with the release of his biggest film yet, No Looking Back, Burns presents a complete collection of his three screenplays, along with numerous photo stills and an original autobiographical Introduction.

The recent success of Freedomland and Clockers has established Richard Price as one of America's most accomplished novelists. Critics have praised both his uncanny ear for the cadences and pitch of dialogue and his insight into the deeper recesses of the American soul. Perhaps more than any novelist today, Price has captured the undercurrents of our culture and society.

Hollywood’s script guru teaches you how to write a screenplay in the ultimate three-volume guide to writing for film, featuring “the ‘bible’ of screenwriting” (The New York Times), Screenplay—now celebrating forty years of screenwriting success! This blockbuster ebook bundle includes: SCREENPLAY: FOUNDATIONS OF SCREENWRITING • THE SCREENWRITER’S WORKBOOK • THE SCREENWRITER’S PROBLEM SOLVER Syd Field was “the most sought-after screenwriting teacher in the world” according to The Hollywood Reporter. His pioneering insights into structure, concept, and character launched innumerable careers. Now in one handy collection, his invaluable expertise is available to aspiring writers and working professionals alike. The Essential Screenplay contains Syd Field’s Screenplay: The Foundations of Screenwriting, the industry standard for script development; The Screenwriter’s Workbook, a hands-on workshop full of practical exercises for creating successful screenplays; and The Screenwriter’s Problem Solver, a guide to identifying and fixing problems in your latest draft. Throughout, you’ll learn: • why the first ten pages of your script are crucially important • how to visually “grab” the reader from page one • what makes great stories work • the basics of writing dialogue • the essentials of creating great characters • how to adapt a novel, a play, or an article for the screen • the three ways to claim legal ownership of your work • tips for allowing your creative self to break free when you hit the “wall” • how to overcome writer’s block forever Featuring expert analysis of popular films including Pulp Fiction, Thelma & Louise, and the Lord of the Rings trilogy, The Essential Screenplay will transform your initial idea into a screenplay that’s destined for success—and maybe even Cannes. Praise for Syd Field “The most sought-after screenwriting teacher in the world.”—The Hollywood Reporter “Syd Field is the preeminent analyzer in the study of American screenplays.”—James L. Brooks, Academy Award–winning writer, director, producer

The recent success of Freedomland and Clockers has established Richard Price as one of America's most accomplished novelists. Critics have praised both his uncanny ear for the cadences and pitch of dialogue and his insight into the deeper recesses of the American soul. Perhaps more than any novelist today, Price has captured the undercurrents of our culture and society.Bringing these talents to the art of screenplays, Price has also emerged as one of the foremost talents in screenwriting. Now, with this collection of his three best-known screenplays, readers can see for themselves why many movie critics have come to consider Richard Price today's most preeminent screenwriter.Introduced with a revealing interview of Price by the critic Neal Gabler, this volume includes Price's screenplays for The Color of Money (1986), which starred Paul Newman and Tom Cruise and won an Academy Award nomination for best screenplay; Sea of Love (1989), which starred Al Pacino and Ellen Barkin and became a major critical and commercial success; and Night and the City (1992), which starred Robert De Niro and Jessica Lange and again attracted rave reviews for Price's screenwriting.These terrifically readable screenplays provide convincing proof that Richard Price is one of our most talented writers, no matter what the medium.

"3 Screenplays Ready For A Producer" is a unique storytelling device that allows the reader to read a typical screenplay and still be entertained by a compelling story. Or, three stories in this case. The first entry, "Finkelstein," is a laugh-a-minute "pre-quel" to the ever popular Frankenstein story. It tells of the rivalry between Dr. Victor Frankenstein and his first cousin, Dr. Herbert Finkelstein. It has a raft of lively characters that maintain a non-stop pace throughout. "Your Face Or Mine" is a new version of the familiar "ringer" theme. A man's humdrum life is turned topsy-turvy when he discovers a millionaire who looks exactly like he does. Taking the millionaire's place is not as difficult as is solving the many unexpected twists and turns that he faces in his new life. "Some Assembly Required" is a farcical comedy that deals with the problems facing a group of the nation's armament makers when government budget cuts force them to conduct their war games with model planes and guns. A "Dr. Strangelove" aura pervades the story which is filled with a raft of off-the-wall characters. This book is delightfully good reading whether you're a film producer looking for a new project or just someone looking for some good reading.

Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script's development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.