Once dismissed as a fading genre with little to say to contemporary audiences, the giant monster movie roared back to life in the new millennium. In one of modern cinema's most surprising turnarounds, a wave of 21st-century kaiju films has delivered exciting and thought-provoking viewing to global audiences. In a variety of works that range from action-packed CGI spectacles to more personal, introspective productions commenting on real-world issues of the day, the new millennium has witnessed some of the most intriguing films in any genre, including movies from such acclaimed directors such as Guillermo del Toro, Bong Joon-ho and Peter Jackson. This book takes a sober, multidimensional look at the new class of giant monster movies. It examines the making of these films and their sometimes-obscure meanings. It also covers efforts to reinvent storied kaiju characters from the past, including Godzilla and King Kong, and to transform the genre with movies such as Cloverfield, The Mist, Colossal, and Pacific Rim that feature all-new creatures.

Dismissed as camp by critics but revered by fans, the kaiju or "strange creature" film has become an iconic element of both Japanese and American pop culture. From homage to parody to advertising, references to Godzilla--and to a lesser extent Gamera, Rodan, Ultraman and others--abound in entertainment media. Godzilla in particular is so ubiquitous, his name is synonymous with immensity and destruction. In this collection of new essays, contributors examine kaiju representations in a range of contexts and attempt to define this at times ambiguous genre.

Giant monsters whose every roar and footstep shakes the earth, whose simple stroll through a city wreaks havoc: KAIJU! And even though humankind has never really seen such monsters - we tremble at the thought of them and love to shiver as their screen versions make mayhem: the beast from twenty-thousand fathoms, Godzilla demolishing Tokyo, the massive creature in Cloverfield destroying New York, all of Earth warring with the colossal monsters in Pacific Rim. Now, for the first time, a definitive anthology that gathers a wide range of larger-than-life short fiction with creatures that run a gargantuan gamut: the stealthy gabbleduck of Neal Asher's Polity universe; Gary McMahon's huge sea-born terror; An Owomoyela 's incredibly tall alien invaders; Frank Wu's city-razing, eighty-foot-high, fire-breathing lizard; Lavie Tidhar's titanic ship-devouring monstrosity; a really big Midwest US smackdown related by Jeremiah Tolbert . . . and many more mega-monster stories to feed your need for killer kaiju! With an introduction by Robert Hood, co-editor of the groundbreaking, Ditmar Award-winning Daikaiju: Giant Monster Tales and host of Undead Backbrain, the premier website for matters relating to giant monsters.

The Kaiju (strange monster or strange beast) film genre has a number of themes that go well beyond the "big monsters stomping on cities" motif. Since the seminal King Kong 1933) and the archetypal Godzilla (1954), kaiju has mined the subject matter of science run amok, militarism, capitalism, colonialism, consumerism and pollution. This critical examination of kaiju considers the entirety of the genre--the major franchises, along with less well known films like Kronos (1957), Monsters (2010) and Pacific Rim (2013). The author examines how kaiju has crossed cultures from its original folkloric inspirations in both the U.S. and Japan and how the genre continues to reflect national values to audiences.

Attack of the Kaiju: Volume 1 Age of Monsters is an anthology of giant monster stories that looks at Kaiju and their effect on humanity from various points of view. Stories range from witnessing and dealing with kaiju attacks from the perspectives of everyday people like businessmen, soldiers, scientists, special effects masters, and families. The anthology also deals with perspective of giant monster attacks from super heroes, spies, wizards, fairies, other kaiju, and even the great Sherlock Holmes himself! This anthology offers a wide arrange of writers from established Kaiju Novelists including; Zach Cole, Timothy Price, Jesse Wilson, and Matthew Dennion. Also featured are short story masters like Neil Riebe and Christofer Nigro. Most importantly this anthology offers several stories from first time writers who are on the precipice of becoming renowned kaiju authors in their own right! From of the uninhabited areas, such as the swamps of Florida to the bottom of the ocean. From the time of myth and legend, to the streets of early 19th century London, to the End of Days. The Attack of the Kaiju has begun!

The Kaiju (strange monster or strange beast) film genre has a number of themes that go well beyond the "big monsters stomping on cities" motif. Since the seminal King Kong 1933) and the archetypal Godzilla (1954), kaiju has mined the subject matter of science run amok, militarism, capitalism, colonialism, consumerism and pollution. This critical examination of kaiju considers the entirety of the genre--the major franchises, along with less well known films like Kronos (1957), Monsters (2010) and Pacific Rim (2013). The author examines how kaiju has crossed cultures from its original folkloric inspirations in both the U.S. and Japan and how the genre continues to reflect national values to audiences.

On June 24th, 1947, a private pilot reported numerous dazzling objects rushing through the sky above Mount Rainier in Washington state. It was the start of the current UFO phenomena, one of the country's most perplexing and persistent mysteries. Within a few weeks, hundreds of sightings of flying saucers were reported to news media. Surprising reports of a UFO crash in Roswell, New Mexico further added to the mystery that July. Since then, UFOs have sparked a slew of incredible claims and speculations. This is a sober and honest history of America's first major saucer craze, based on many sources including previously classified government records. The book cuts through decades of mystique and confusion, beginning with the 1947 UFO wave and ending with the launch of Project Blue Book in 1952. Balanced and comprehensive, this history provides background, social context and other tools for reframing perceptions of a controversial subject.