In 1938: Modern Britain, Michael John Law demonstrates that our understanding of life in Britain just before the Second World War has been overshadowed by its dramatic political events. 1938 was the last year of normality, and Law shows through a series of case studies that in many ways life in that year was far more modern than might have been thought. By considering topics as diverse as the opening of a new type of pub, the launch of several new magazines, the emergence of push-button radios and large screen televisions sets, and the building of a huge office block, he reveals a Britain, both modern and intrigued by its own modernity, that was stopped in its tracks by war and the austerity that followed. For some, life in Britain was as consumerist, secular, Americanized and modern as it would become for many in the late 1950s and early 1960s. Presenting a fresh perspective on an important year in British social history, illuminated by six engaging case studies, this is a key study for students and scholars of 20th-century Britain.

In 1938: Modern Britain, Michael John Law demonstrates that our understanding of life in Britain just before the Second World War has been overshadowed by its dramatic political events. 1938 was the last year of normality, and Law shows through a series of case studies that in many ways life in that year was far more modern than might have been thought. By considering topics as diverse as the opening of a new type of pub, the launch of several new magazines, the emergence of push-button radios and large screen televisions sets, and the building of a huge office block, he reveals a Britain, both modern and intrigued by its own modernity, that was stopped in its tracks by war and the austerity that followed. For some, life in Britain was as consumerist, secular, Americanized and modern as it would become for many in the late 1950s and early 1960s. Presenting a fresh perspective on an important year in British social history, illuminated by six engaging case studies, this is a key study for students and scholars of 20th-century Britain.

Leading expert and passionate advocate of modern British architecture Elain Harwood gives the best overview of British architecture from 1938 to 1963 – mid-century buildings. Growing in popularity and with an increasing understanding of their importance as a background to our lives, the buildings range from the Royal Festival Hall, Newcastle City Hall and to Deal Pier and Douglas ferry terminal, from prefabs and ice cream parlours to Coventry Cathedral and the Golden Lane Estate. The author writes in non-technical, layman's language about the design, architecture and also the influence of these buildings on the lives of our towns and cities. The author has arranged the huge variety of buildings into: Houses and Flats: Churches and Public Buildings; Offices; Shops; Showrooms and Cafes; Hotels and Public Houses; Cinemas, Theatres and Concert Halls; Industrial Buildings and Transport. There is an insightful introduction that places these buildings in the context of 20th-century architecture generally and globally. All fantastically photographed to make this a must have for anyone interested in our built heritage. Postwar Britain architects often saw architecture as a powerful means to improve the quality of our lives after the shadow of war. This is the fascinating story of what they built to meet that challenge. Cover illustration by Paul Catherall

On September 30, 1938, British Prime Minister Neville Chamberlain flew back to London from his meeting in Munich with German Chancellor Adolf Hitler. As he disembarked from the aircraft, he held aloft a piece of paper, which contained the promise that Britain and Germany would never go to war with one another again. He had returned bringing “Peace with honour—Peace for our time.” Drawing on a wealth of archival material, acclaimed historian David Faber delivers a sweeping reassessment of the extraordinary events of 1938, tracing the key incidents leading up to the Munich Conference and its immediate aftermath: Lord Halifax’s ill-fated meeting with Hitler; Chamberlain’s secret discussions with Mussolini; and the Berlin scandal that rocked Hitler’s regime. He takes us to Vienna, to the Sudentenland, and to Prague. In Berlin, we witness Hitler inexorably preparing for war, even in the face of opposition from his own generals; in London, we watch as Chamberlain makes one supreme effort after another to appease Hitler. Resonating with an insider’s feel for the political infighting Faber uncovers, Munich, 1938 transports us to the war rooms and bunkers, revealing the covert negotiations and scandals upon which the world’s fate would rest. It is modern history writing at its best.

Public relations was established in Britain by a group of liberal intellectuals in the aftermath of the slump. Central to the startling story of Britain's early public relations pioneers is Sir Stephen Tallents, the inaugural President of the Institute of Public Relations. Tallents was a public sector entrepreneur who lent his patronage to John Grierson's documentary film movement, the BBC Overseas Service, the development of Listener Research and the staging of the Festival of Britain. A compelling portrait of how the social, economic and media revolutions of early twentieth century reshaped national life, Public relations and the making of modern Britain reveals a country struggling to cope with austerity and crisis that is at once very different from, and yet surprisingly similar to, our own. This book includes the first reprint of Tallents' influential 'The Projection of England' for over fifty years. It will interest students and scholars of media studies and modern British culture, history and politics.

Originally published in 1999, this book deals with the cultural and legal debates which have counterposed the right to free speech and the need to protect Christian sensibilities in Britain from the time of the French Revolution to the present day. Central to the book is a close study of the content and public reception of the anti-Christian literature of the 19th century associated with the names G.W.Foote and J.W. Gott, the Freethinker and The Truthseeker. David Nash here also examines a variety of critical-theoretical approaches to blasphemy and blasphemous writing, including postmodernism and the work of Foucault and Said. The book concludes with a detailed examination of 20th-century blasphemy cases, up to and including the Gay News case, The Last Temptation of Christ and Visions of Ecstasy.